Author: GoneTrending

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow and signals the most important music being released throughout the year. The RX is the music you need, right now.

In 2019, Charlie Puth couldn’t wait to get his heart broken for the first time. At 30 years old, Puth is the pop poster boy for late bloomers, and he described himself that way to Hunter Harris and Vulture back then — yearning for the kind of teenage puppy love he watched in Clueless and worrying that his love songs came across as formulaic. In January 2020, that insecurity caused him to scrap his followup to his acclaimed 2018 sophomore album Voicenotes. He provided an update 18 months later, revealing the pressure he’d felt to pump out the next radio-friendly hit while operating from a relatively empty internal well. Charlie, his long-awaited third solo album out today (October 7), leaves that problem firmly in the past.

This is Puth at his most vulnerable, down to a teary-eyed TikTok admission about how traumatizing “That’s Hilarious,” the album opener, was for him. That unabashed transparency is the backbone of Charlie — rooted in authentic pain, brave exploration, and subsequent self-discovery. The album was produced entirely by Puth and assembled on TikTok, to extinguish his self-doubt by receiving real-time feedback from his fans that he’d missed during the pandemic.

Puth hadn’t needed to draw from experience to churn out platinum-certified pop earworms like the ubiquitous “See You Again” with Wiz Khalifa, “Marvin Gaye” featuring Meghan Trainor, “Attention,” “One Call Away,” or “We Don’t Talk Anymore” featuring Selena Gomez. With Charlie, recorded in the aftermath of a draining breakup — be careful what you wish for? — he balances his reputable music theory expertise, pristine pitch, and innovative production with his newfound introspection.

It began with “Light Switch,” the gold-certified catchy lead single with nearly 300 million Spotify streams and 15 weeks on the Hot 100 to its name. Born by accident on TikTok, Puth had an epiphany after recording himself flipping a light switch. The melodic, uninhibited album closer, “No More Drama” was similarly hinged on a creaking door. The Jung Kook-assisted bop “Left And Right” cleverly pans from one headphone (or AirPod, probably) to the other in the chorus. Each track seamlessly segues into the next sonically, but the duality in the ordering is more intriguing — mirroring the emotional whiplash of falling in and out of love. The lasting revelation, though, is the cohesive lyrical arc Puth paints. The broken man in “That’s Hilarious” is stronger for it in “No More Drama.”

In “That’s Hilarious,” Puth laments that his ex “took away a year of my f*ckin’ life” in the pre-chorus before the chorus reveals his scars, underscored by synthesized laughter: “You didn’t love when you had me / But now you need me so badly / You can’t be serious / That’s hilarious.” The next track, “Charlie Be Quiet,” hits on Puth’s pension to keep his messy (and potentially risky) feelings to himself.

Early album standouts “Light Switch” and “There’s A First Time For Everything” capture the hypnotizing and intoxicating nature of developing a crush. Puth’s buoyancy is immediately deflated with the synth-based “Smells Like Me,” which simultaneously sounds like it’s plucked from an ’80s rom-com and delivers a bitter yet earnest message — “I hope your jacket smells like me” — that could be found in any Instagram caption.

“Left And Right” indulges all-consuming infatuation. “Loser” is soaked in self-loathing and blame for someone leaving, followed by the gut-punch piano ballad “When You’re Sad I’m Sad,” where Puth can’t help but empathize and take her back when he knows he shouldn’t. By the time we arrive at “I Don’t Think That I Like Her,” punctuated by Travis Barker on the drums, and “No More Drama,” Puth has the clarity to choose himself.

“I’ve got no more drama in my life, and it’s been amazing,” he sings in “No More Drama,” utilizing his signature high register. “I’m so glad I finally realize I’m better without you / It took a year before I recognized / That our love already died / Baby, I was down bad, I was down bad / Now I’m healing.”

It was a hard-earned realization, one he credits his fans for guiding him toward. “This album was born on the internet, and I’ve had so much fun making it in front of all of you this past year,” Puth wrote on Instagram when confirming Charlie‘s release date. “2019 me used to think that in order to be an artist, you had to hide away and talk to nobody to make your art. Turns out you make MUCH better art when you involve millions of people in the process. (For me at least.) I hope you scream cry every word when I sing these songs on tour because they wouldn’t be here without you.”

As with any piece of art, the subject matter doesn’t matter as much as the perspective. Charlie is a breakup album, a staple in music since forever. But the unique TikTok crafting of Charlie normalized crowdsourced healing. The typical artist trope is to relinquish ownership of an album to their fans upon release, but Puth welcomed joint custody of Charlie from the beginning — out of therapeutic necessity rather than vanity. He’s thrilled to finally have a full body of work that not only he can stand behind but that people want to claim. (He summarized his career-long frustration to Entertainment Weekly by saying he wished he “had a time machine” to make Charlie his debut offering.)

Since “See You Again,” Puth has tried so hard, by his own admission, to package himself as the perfectly consumable pop star. He was born with the skill to make chart-topping bangers in his sleep, and he did, but the sleepwalking ends with Charlie.

“I can’t think of a melody that makes you come back to me,” Puth poignantly sings in the thumping, bass-laced track “Tears On My Piano.” It feels like a reckoning that music can’t solve everything. The missing ingredient couldn’t be manufactured or serendipitously found by flipping a light switch. Puth just needed to live more life, experience heartbreak, and throw perfectionism to the wind (literally). As a result, he became what he, and his truest fans, always wanted him to be: a more complete human being and relatable pop star.

Charlie is out now via Atlantic. Stream it here.

Charlie Puth is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Every now and then, a new Drake beef pops up or an old one gets revived. Now, there’s apparently a new situation that came seemingly out of nowhere, with actor Zach Woods. Woods was a guest on The Late Late Show yesterday (October 6) and while there, he took a minute to clear the air about his (very much a joke, unless there’s something we don’t know) feud with Drake.

Woods started by offering some context, saying:

“I just want to squash a beef that’s starting to get out of hand. Drake and I… this beef is getting out of control, and I just think it needs to stop. Because Drake is out there like, ‘Oh, I’m the most famous person in the world. I’m more famous than Zach Woods, who was on The Good Wife, a recurring on The Good Wife, and in late seasons of The Office.’ And it’s like, no one knows… neither one of us are scientists, we don’t know who is more famous.

And also, if you think about it… and this is the thing that started the beef… I mean, you guys know, so I’m just telling you. Everyone knew I was ‘Champagne Papi.’ Everyone knew it, and then Drake rolls in and says, ‘I’m Champagne Papi,’ and it’s like, well, are you from the Champagne region of France? Because if not, you’re Sparkling Wine Papi, b*tch. My friend Vanessa pointed that out to me.”

Woods, who IMDb lists as 6’4″, continued, “I want to squash the beef, I don’t want to perpetuate the beef, but I will say: Drake is a musician, but I can play any movie theme on trumpet and Drake can’t even play trumpet. You see what I’m saying? So that’s it. I just need to squash it because I’ll be the bigger man, spiritually, also physically because Drake’s a mini, and that’s between him and his nutritionist. But I just, it ends here tonight, Drake. You can stop.”

He then wrapped it up, concluding, “The thing that he’s done that is really inexcusable is… in a beef, what you don’t do is you don’t be passive-aggressive. And Drake has acted as though he doesn’t even know who I am or that we’re in a beef, which is a low blow, so shame on you, and that’s coming from your Champagne Papi.”

Check out the interview clip above.

Netflix’s Unsolved Mysteries returned this week to deliver more O.G. true-crime vibes for the streaming audience. The series will grow more supernatural with the second episode, but the first one takes a grounded approach to dealing with a real-life crime and considers whether an 18-year-old volleyball star, Tiffany Valiante of New Jersey, took her own life. Of course, Netflix recently scored a major hit with Ryan Murphy’s Dahmer dramatization starring Evan Peters, and that show upset victims’ families by arguably capitalizing upon tragedy. With this newest Unsolved Mysteries episode, however, the family is fully onboard in the interest of uncovering the truth of what happened to a beloved daughter who died in a puzzling, nonsensical way in 2015.

Officially, the medical examiner and investigators declared Valiante’s death to be a suicide, a determination that her family cannot stomach as the truth. That’s because Valiante was not only apparently an outwardly happy and well-adjusted teen, but she was nearly about to begin college on a volleyball scholarship. Her stature (she was 6’2″) made her stand out in a crowd, but no one saw what happened to Valiante after she left a party to walk a few blocks to her family’s home. She did show up on footage from a neighbor’s deer camera (as shown below), but investigators determined that she supposedly ditched her shoes and walked three miles, barefoot and on rough terrain, to the point where a moving train (which was on the route between Atlantic City and Philadelphia) hit her after she allegedly threw herself on the tracks.

The episode’s a spooky one, and — as the episode details — the conductor who was helming the train gave conflicting stories about what he saw or didn’t see on the tracks that night. Tiffany was also not fully clothed when (what was left of) her body was found. In addition, a previous Daily Beast investigative report detailed a hearsay story from a Wawa manager, who claimed that he overheard some teenage boys discussing how Tiffany was allegedly kidnapped after she had left the party. Whether or not that story was true, or whether Tiffany was chased onto the tracks by anyone else, no one knows for sure, and the manager didn’t want to be identified by the Daily Beast.

In addition, there are differing accounts of whether Tiffany had argued with her mother and/or ditched her cell phone in her parents’ driveway. Reportedly, cell records showed that Tiffany used the phone an hour after some people say that she tossed the device. Her mother also indicated that Tiffany always kept her cell phone with her and went to great measures to protect it with a durable, waterproof device. Further questions involve whether Tiffany could have been distraught over an ended relationship, but she had recently entered into a different coupling.

In the end, this episode doesn’t provide the answers, which adds to the obligatory “Unsolved” nature of the tragedy in question. The Netflix series, as with the original, asks viewers to provide any tips (here) if they think they can help solve a crime. Hopefully, Tiffany’s family can gain some closure if anyone out there can help determine what actually happened leading up to those train tracks.

Netflix’s ‘Unsolved Mysteries’ is currently streaming the return of Volume 3.

In recent times, Taylor Swift has been gradually rolling out the tracklist for her upcoming album Midnights, by revealing one song at a time in her “Midnights Mayhem With Me” series of videos. As of last night, there were five song titles yet to be unveiled, and Swift went ahead and revealed them all in one go, sharing a new video hourly between midnight and 4 a.m. ET last night/this morning.

Swift saved the most intriguing reveal for last, as she captioned the video, “The season finale of Midnights Mayhem with Me, with QUITE the twist of an ending…” As for the song, it was the fourth track, called “Snow On The Beach.” The song includes the album’s only credited feature: Lana Del Rey.

The Del Rey collaboration shouldn’t come as a huge surprise to Swifties, as the link-up has been rumored for weeks now. The main piece of evidence here was a sweater: Fans caught a glimpse of a distinctive pattern of a sweater Swift wore in a Midnights teaser video, identifying the article of clothing as the same one she wore in a photo with Del Rey and Midnights collaborator Jack Antonoff in April.

Find the full Midnights tracklist below.

1. “Lavender Haze”
2. “Maroon”
3. “Anti-Hero”
4. “Snow On The Beach” Feat. Lana Del Rey
5. “You’re On Your Own, Kid”
6. “Midnight Rain”
7. “Question…?”
8. “Vigilante Sh*t”
9. “Bejeweled”
10. “Labyrinth”
11. “Karma”
12. “Sweet Nothing”
13. “Mastermind”

Midnights is out 10/21 via Republic. Pre-order it here.

Dustin Lance Black, the Oscar-winning screenwriter of Milk and Under the Banner of Heaven, came out as gay his senior year of college. It was a struggle not only because of his Mormon upbringing and the acute belief growing up that he was destined for hell, but because his mother’s initial response was antagonistic. Mama’s Boy, among other things, is an exploration of how his mother came around and eventually inspired him to become an activist.

The most fascinating turn in the trailer comes when Black gives his famous acceptance speech for writing Milk, wherein he promised that gay and lesbian children would one day have equal rights. We all remember it, but his mother took it more seriously than anyone else, reminding Black that a promise isn’t something to be given lightly, and that he’d better get off the couch and put in the work to make those equal rights a reality. There’s just no way to stay still after mom gets on your case like that.

Here’s the official synopsis: “Traveling back to the places where he grew up, Black explores his childhood roots, gay identity and close relationship with his mother, who overcame childhood polio, abusive marriages and Mormon dogma, while becoming Black’s emotional rock and ultimately, the inspiration for his activism. With a wealth of personal photographs and candid memories from Black’s family, colleagues, and friends, Mama’s Boy embraces the personal to tell a universally hopeful tale of resilience and reconciliation through the power of love and shared stories.”

Directed by Laurent Bouzereau (Natalie Wood: What Remains Behind), the HBO documentary premieres October 18th.

Somehow, nearly 25 percent of the 2022 NFL season is in the rearview mirror. It goes quickly after the (very) long offseason each year, but Week 5 is upon us with a full slate of intriguing offerings. This week’s schedule includes another London game on top of everything else and, unlike previous weeks, there are some very large underdogs on the board. Through four weeks, the results have been solid in this space, including a 3-2 mark in Week 4, but the fun never stops.

Before we roll through the card, let’s check in on the overall progress.

• Week 4: 3-2
• 2022 Season: 12-8

Come get these winners.

TEASER: Green Bay Packers (-2) over New York Giants and Kansas City Chiefs (-1) over Las Vegas Raiders

I’m only leading with this because the Packers are playing the London game, but it’s a play I like. For the uninitiated, teasers can be profitable long-term if you’re picking off key numbers, and both of these lines move through the keys of three and seven. Green Bay is on a neutral in an odd setting against New York, but I’m going to have to see the Giants do more before I believe it. Teasing the Chiefs to one at home in prime time is solid as well, and I would at least consider the Jaguars as another teaser leg.

Pittsburgh Steelers (+14.5) over Buffalo Bills

The Steelers might just be hideous, and I get that. Mike Tomlin has always been a very profitable bet as an underdog, and this number feels a touch high, against the team that many have power rated as the best team in the NFL. Kenny Pickett making his first start is scary, but we have our principles.

Washington Commanders (+2) over Tennessee Titans

Tennessee is seemingly getting a bump after beating the Colts, but the Titans were soundly out-gained in that matchup and I’m not buying it. Washington isn’t fantastic or anything, but I’m not sure they should be an underdog at all in this spot at home.

Dallas Cowboys and Los Angeles Rams UNDER 21 points in the first half

Sound familiar? We’re going back to the well with another Rams first half under. Los Angeles continues to play very slowly in the first half, and the Rams are scuffling on offense. Dallas has earned trust on defense this season, and this one could be a slug-fest. I’d also lean under on the full game.

Baltimore Ravens (-3) over Cincinnati Bengals

Nabbing the 3 (rather than 3.5) is important, but there are multiple shops still dealing 3 as this post goes up. I’m buying the dip on the Ravens and I think this line should be 4 or 4.5. It’s not a complicated handicap, but I also trust Baltimore’s coaching staff to deliver in a big divisional spot.

NLE Choppa has dropped several hits this year, and he’ll do it again. On the 19-year-old’s latest single, “Do It Again,” the Memphis rapper looks forward after a break-up while delivering fiery bars over a punchy, fast-paced drum-driven beat that contains a prominent sample of “Love Don’t Live Here Anymore” by Rose Royce.

“I’m too fine to be so alone,” he raps on the song’s chorus, continuing, saying, “I’ma get money no matter the cost / Havin’ some water, I’m havin’ some Voss / Got that dope d*ck, that’s yo’ loss / He is a worker, I am a boss.”

Joining Choppa is Philadelphia rapper 2Rare, who shows off his vocal stylings, singing and rapping humorous one-liners on his verse. One of the standout lines is, “B*tch, you like a squirrel, you just like Sandy, b*tch, get off my nuts.”

In the song’s accompanying video, Choppa throws a party in the street, where he is joined by his neighbors. Throughout the video, Choppa and 2Rare are seen dancing in the street, grilling wings, smashing cakes, and getting twerked on by some ladies.

Check out the video above.

NLE Choppa is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

The Denver Broncos lost 12-9 to the Indianapolis Colts in overtime on Thursday Night Football in a game that was uglier than that touchdown-less final score would even indicate — with fans leaving after regulation because they’d seen enough.

The two offenses were absolutely horrendous, as both veteran quarterbacks struggled to do much of anything positive, and in the end it was Matt Ryan, who had two interceptions and a couple fumbles that somehow the Broncos didn’t get back, who ended up as the winner because he held it together the best late. On the other side, Russell Wilson was dreadful (again) this season and threw two interceptions of his own, but chose the worst possible time for both.

The Broncos signal-caller threw a pair of interceptions himself, but his proved far more costly. His second came on third and four inside the 20 and gave the Colts a chance down 9-6 to force overtime, when a first down would’ve allowed the Broncos to kneel out the clock or an incompletion would’ve let them go up 12-6 in a game where no one could score a touchdown.

However, the bad decisions wouldn’t stop there, as after a Colts field goal in OT, as the Broncos rolled the dice on 4th and 1 after marching down to the five, choosing to throw, bizarrely, and Wilson missed a wide open KJ Hamler to throw an incompletion in the middle of the end zone.

If “Russell Wilson throws game-losing pass on the goal line” sounds familiar, you aren’t alone, as Richard Sherman just so happens to be on the Thursday Night Football desk and was self-admittedly “triggered” by what he saw from Wilson and the Broncos. The former All-Pro corner of the Seahawks launched into an incredible rant begging the Broncos to just “run the dang ball” while the rest of the desk tried not to laugh as he relived some trauma.

It’s incredible television and great work from the Amazon desk to just clear out and let Sherm go off, because that’s what everyone wanted in that moment because no one can relate to that pain better than him. Him begging Russ to “learn from your mistakes” is, to me, the funniest part of this. He wasn’t alone on the desk at getting after Wilson, as Tony Gonzalez didn’t hold back either, noting that this loss is firmly on the QB and not on the coaching staff.

Still, it was incredible watching Sherman let a decade’s worth of frustration out live on air in part postgame show/part therapy session, and hopefully it was as cathartic for him as it was incredible for us to watch.

It’s been a month since Stray Kids and JYP Entertainment dropped a cryptic teaser on their socials, announcing a comeback was on the way. Now, that cryptic teaser has slowly unraveled over the last couple of weeks — through countless of handsome-looking group and individual portraits, energizing music video teasers, all in different concepts — to unveil “Case 143.”

At midnight EST (1 p.m. in KST/9 p.m. PST), Stray Kids finally unleashed the full music video to “Case 143,” the lead single off of their sixth EP, MAXIDENT! In a colorful chaotic three minutes and 40 seconds, Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N. expresses what it’s really like to be crazily whipped and in love with someone. In between scenes of tutting choreography and questioning themselves on why they keep getting attracted to someone, the music video embodies what the heart (there’s literally an animated heart character running around) and mind goes through when you’ve fallen deep.

MAXIDENT! currently holds the record of one of the highest pre-sold K-pop albums in history with more than 2.24 million units sold (as the end of September). The sixth EP from the world-dominating boy group consists of eight tracks including three songs by the group’s sub-units — 3RACHA (the producing unit with Chan, Han, and Changbin), DANCERACHA (the dance line Lee Know, Hyunjin, and Felix), and VOCALRACHA (the main vocalists consisting of Seungmin and I.N.) — “3Racha”, “Taste”, and “Can’t Stop,” all of which they performed at their two-night encore concerts in Seoul last month as part of the MANIAC! World Tour.

The group will continue their tour next month and next year with stops in Asia, Australia, and the US.

Check out the full tracklist of MAXIDENT! below.

1. “CASE 143”
2. “식혀 (CHILL)”
3. “Give Me Your TMI”
4. “SUPER BOARD
5. “3RACHA”
6. “TASTE”
7. “나 너 좋아하나봐 (Can’t Stop)”
8. “CIRCUS (Korean Version)”

Ahead of the theatrical release of Till next week, Jazmine Sullivan has shared a new song, “Stand Up.” Featured on the movie’s soundtrack, “Stand Up” was inspired by Mamie Till-Mobley, the mother of Emmitt Till. The movie Till tells the story of how Mamie became one of the most prominent voices in the civil rights movement.

“You got a purpose / What is your reason? / What is you fightin’ for? / I see you searchin’/ It’s burnin’ inside / it’s somethin’ you can’t ignore / Yeah, everyone’s hurtin’ / but you gotta fight / Get up and keep forward / See, don’t back away with your hand up / ‘Cause somebody needs you to stand up,” Sullivan sings on the song’s chorus.

The song is written entirely by Sullivan and produced by D’Mile. In an interview with Pitchfork last year, Sullivan said that writing all of her own words is a therapeutic experience for her.

“It’s something that I would never give up,” she said. “It’s something so beautiful about getting it out. I remember when I was going through writer’s block [on this album], when I couldn’t say what I wanted to say, I was so sad and I felt like I was empty, and I realized that’s how I communicate: through my writing. So I have to do it.

Listen to “Stand Up” above.

Till arrives in theaters 10/14.