Categories
News Trending Viral Worldwide

As an adult with a less-than-normal childhood, here’s what Christmas means to me now

As Christmas fast approaches (literally eight days away, holy cow) I relish the opportunity to do all those wholesome holiday things.

I love filling my cats’ stockings with tuna treats and springy toys. I’m thrilled to top our tree with a sparkling glowy star and sneak away to wrap my boyfriend’s present. And boy, do I look forward to his authentic Puerto Rican coquito.

The apartment smells of cinnamon and gingerbread, and it fills me with a comfort that’s both so welcomed and yet so foreign.

It hadn’t really dawned on me before, that perhaps why I now wholeheartedly embrace the tradition of Christmas, though I am in no way religious, is because it’s a way to cultivate what I never really had in childhood: a sense of peace.

In other words: Christmas provides a sense of normality. And for someone with a less-than-normal childhood, that feeling matters. A lot.


I hadn’t always given Christmas the same thought. When I was little, all I knew was Christmas meant getting one of those cheap kiddy art sets from Angel Tree.

If you don’t know what that is, Angel Tree is an organization that provides gifts to children of parents who are incarcerated. It comes with a note from the parent, written in prison. That way there’s at least some semblance of connection during the holiday.

My mother knew I liked art, and therefore always asked for it.

Unwrapping the gift was … fine. Reading the letter from my mom, on the other hand, was outright numbing. It just didn’t compare to the real thing. To talking. To seeing her react to my surprise. To hugging.

“Little me” didn’t realize that all I wanted for Christmas was the one thing I couldn’t have, and to ease the pain of longing, I would feel nothing instead. All I understood was art set + mom’s letter = Christmas.

This is by no means a complaint against Angel Tree; I think what they do is an amazing contribution. I certainly used the hell out of those watercolor paints and oil pastels, and it most definitely made a positive impact on my life.

And my mom did her best. This is not a judgment of her character nor a degradation of her parenting. It just is me saying: I didn’t feel what I think I was supposed to feel, as a little kid at Christmas time.

Having this holiday apathy, I spent my teens being “too cool” for Christmas, and looked down on it as some kind of capitalist conspiracy. Then as an adult working at amusement parks, Christmas simply became “holiday pay day.” Yes, I suppose you could say I leaned into that same capitalism I fought so hard against during my formative years. What a sellout.

I spent the holiday wearing a prosthetic “Who nose,” stilt walking, entertaining the crowds. And when that fat check came in, I would always wonder if the 12+ hours were worth it.

It wasn’t.

(Again, no ill intentions toward my former place of employment. Plenty of my coworkers loved spending Christmas this way. I just did it for the wrong reasons.)

Knowing what I do now, it makes perfect sense that I allowed the holidays to fuel my raging workaholism. It was a way to avoid difficult feelings. And many experts note that it is a symptom of parentification, when a child has to take on the adult role, thereby suppressing their own needs.

Miriam Njoku, a certified Trauma Recovery Coach, sums it up best:

“When a child suffers from prolonged trauma, they live in a perpetual state of stress with no control over their life, work can become something they have control over or a means to escape their reality. They might come to believe that if they work hard enough it will bring peace in their home.

Yep, that was me. As someone who grew up mostly without a mother, mostly without a father, in poverty, bouncing between relatives’ houses and changing schools multiple times, I sought out sovereignty in the only way I knew how. Through making money.

But after a while, I couldn’t take it anymore.

Having my own Great Resignation, I slowly started to embrace Christmas as a way to wean off my workaholic tendencies. If most of the world was going to take a day off, then why shouldn’t I?

Did I decorate? No. But did I splurge on a Starbucks White Chocolate Peppermint Mocha and do some serious Netflix binging? Yes I did.

As I coated my mouth with the sweet, creamy treat and bundled up in a blanket, new sensations washed over me. It was like my spirit finally exhaled. It was so rare for me to not feel hypervigilant, goal oriented, anxious. But in that moment I was inexplicably, undeniably … safe.

And that was when my attitude started to shift.

I think for most people that come from a troubled home, there comes a point where you realize that in order to heal, you can’t simply work for a better tomorrow. The better tomorrow is already here. Instead, the priority should be giving yourself what you never had, today.

Kelly McDaniel, author of Mother Hunger, stresses that mothers provide daughters with three important developmental needs: nurturing, protection and guidance. And if any of the three is missing, an achy loneliness permeates the self-image. That loneliness is what she calls “Mother Hunger.”

This book was a real eye-opener for me. Look, I knew that my childhood was not that great. But I had no idea just how much my inner compass was warped. No wonder I didn’t know how to have those warm fuzzy holiday feelings. I didn’t know how to have warm fuzzy feelings, period.

Login • Instagram

McDaniel shares in her book that healing “Mother Hunger” involves “thawing the frozen, innate healing process.” In my case, that meant a warm blanket and learning how to simply be comfortable doing nothing.

Though I am focusing on the mother-daughter relationship, a similar principle can be said for father-daughter, mother-son, father-son. Bottom line, when we don’t get an example of safety as children, it affects our lives until we choose to teach it to ourselves. That’s my take, anyway.

Now when I think of Christmas, I think of warmth. I think of rest. I think of gratitude. I also think about how nice it would have been to feel this way as a kid, and it can trigger a bit of sadness. And yet, with every holiday tradition, both big and small, I find comfort knowing that it’s never too late to reclaim those lost parts.

To me, Christmas means celebrating a recovery from numbness. And sipping coquito with my boyfriend while watching my kitties play with their toys. And I feel joy in every minute of it.

Whether or not this story resonates with you, I’m wishing you a very Merry Christmas. In these sometimes stressful, often less-than-normal times, may you find your own special way to exhale.

Categories
News Trending Viral Worldwide

A Very Serious Review Of Lay’s New Potato Chip Vodka

If you’re not a fan of vodka, there’s a chance you’ve never really thought about what it’s actually made of. In the simplest terms, vodka is a crystal-clear distilled spirit that’s more or less made up of water and ethanol. If that doesn’t sound appetizing, we totally get it. There’s a reason many drinkers believe that most vodka is flavorless and not particularly memorable.

While vodka can be made from different grains and fruits (like wheat, rye, corn, or even grapes), the potato has also become a common base for the spirit. Inevitably, centuries of vodka distillation have led to some gimmicky, over-the-top varieties like countless flavored vodkas and, most recently, Arby’s French Fry vodkas.

This Week, Frito-Lay dropped a vodka. You know, the makers of crispy, salty, iconic, wipe-your-greasy-hands-on-your-pants potato chips. While this might seem like just as much of a gimmick as the slew of flavored vodkas, it isn’t. The idea makes logical sense and even keeps with tradition.

Let’s get into what’s in the bottle.

Lay’s Potato Vodka

Lay's Vodka
Christopher Osburn

ABV: 40%

Average Price: $40 (currently sold out)

The Vodka:

Lay’s partnered with Portland, Oregon’s Eastside Distilling to craft this limited-edition vodka produced with Lay’s proprietary potatoes — the same ones they use to make their own chips. To be clear, no, Lay’s and Eastside Distilling aren’t making vodka by emptying yellow bags of Lay’s chips into their fermenters. They’re simply using the company’s potatoes (and branding).

Tasting Notes:

The nose was a lot sweeter than I expected. It reminded me of corn-based moonshine even though the ingredients are only potatoes, yeast, and water. There were notes of vanilla, caramel, and slight fruitiness that made me excited to take a sip (it should be noted that I don’t often get excited to sip vodka). While fairly muted, there were notes of vanilla beans, slight citrus, and just a hint of cracked black pepper. The finish was surprisingly mellow, sweet, and featured just a hint of warmth to remind you that you are actually drinking vodka.

Bottom Line:

As someone who doesn’t normally sip vodka neat, I’d definitely drink this one on the rocks or mixed with a little soda water and a twist of lime. Overall, a pretty decent vodka even with its gimmicky name and description.

Ranking:

85/100 — While not even close to the best vodka I’ve tasted, I was pleasantly surprised by the strong flavor profile and a smooth finish with little to no harshness.

Categories
News Trending Viral Worldwide

Pelicans Rookie Herb Jones Has Established Himself As One Of The NBA’s Most Fearsome Defenders

Every now and then, Herb Jones takes over a game. The stretches aren’t lengthy, nor are they anything more than infrequent glimmers. But they surely occur.

Scoring and creation explosions, plays typically associated with a takeover, are not his signature. His moments of magic are more subtle: an aptly time a cut to score inside, prying away a steal to spark the fast break, or slithering over a screen and coaxing a scorer into an imprudent decision. They’re all the sorts of events that help tie together possessions without headlining each result.

For any player, these moments would be noteworthy. But they draw even more praise when they’re being performed by a second-round rookie on a 9-21 team that’s missed its superstar forward all season. That’s exactly what Jones has brought to the New Orleans Pelicans: a bright spot amid an increasingly frustrating campaign.

As the team’s premier on-ball stopper, he’s entrusted by New Orleans’ coaching staff to wrangle with an assortment of lead initiators. His matchup data is a Mount Rushmore of stars such as Luka Doncic, Paul George, Trae Young, Donovan Mitchell, and Ja Morant. Already, he’s spent at least 20 possessions on seven different All-Stars. Lower the possessions threshold slightly and others like James Harden, Kevin Durant, and Devin Booker enter the frame.

Jones is not yet performing at the level of an All-Defensive selection, although it must be stressed that has more to do with how high the bar is to earn that distinction. Yet he’s indicating a future where he could become a stalwart on those teams, which is incredibly promising. Gliding around screens, he stays attached to ball-handlers. He’s light on his feet, swivels his hips to change directions with ease, and wields hands dexterous enough for silent cookie jar thievery.

At 6’8 with a 7-foot wingspan, he’s astonishingly fluid for someone his size. That intersection of size and physical tools enables him to defend up and down the perimeter creator spectrum. Big wings, powerful guards, shifty creators — Jones looks at home against any of them.

Despite assuming such star-studded battles, Jones is averaging only four fouls per 36 minutes. While that may seem like a relatively high mark, a rookie who operates with such physicality and audacity against elite players generating that number is less concerning than it seems on the surface. As he further assimilates to NBA competition and begins to understand the nuances and tendencies of each player, everything he already excels at will heighten.

Jones isn’t merely guarding a bunch of stars and periodically putting together standout clips. New Orleans tasks him with those responsibilities because of merit, not solely pre-draft reputation or practice reps. His plus-1.8 Defensive Estimated Plus-Minus ranks 30th league-wide and second among all rookies. His 1.8 percent block rate and 2.2 percent steal rate are in the 99th and 94th percentiles among wings, according to Cleaning The Glass.

Those gaudy block and steal rates primarily stem from Jones’ exceptional awareness, motor, and gifts as an off-ball playmaker. Thanks to his size, lateral mobility, and swift hands, he functions supremely well at the nail, toggling between help on drives and recovering to shooters. As the weak-side low man, he acutely balances rotating at the proper moment without overcommitting to bleed open corner threes and is quick off the ground to influence plays inside.

Everything, really, stems from his marriage of length, height, and movement skills. Most 6’8 forwards with a 7-foot wingspan are nowhere near as comfortable on the perimeter as he is. The ones who are often find themselves as mainstays in conversations that look to determine the best defensive players in the league, and it seems destined that Jones will get there sooner rather than later.

Defensive-minded rotation guys who can’t meet whatever Mendoza Line is required offensively to warrant heavy minutes are scattered throughout NBA history. By crafting just enough offensive utility to this point, Jones is distinguishing himself from that group and earning starters minutes (27.1 per game, 30.5 since re-entering the starting lineup 11 games ago). With heady floor vision, he’s a viable connective passer capable of identifying scoring opportunities against defenses in disarray.

Although he’s a middling shooter at best right now — he’s made 10 of his 30 attempts from three in the NBA and shot the long ball at a 28.8 percent clip in college — he carves out other paths to scoring value. He’s a perceptive cutter, darting inside whenever he sees a crevice. If defenses take an inefficient route to close out or grant him space, he’s displayed some ability to succeed as a driver. Occasionally, New Orleans even lets him flow through dribble handoffs.

Many uninspiring shooters who don’t elicit defensive attention can struggle to balance letting it fly, attacking off the catch, and cutting to the rim. Jones manages that juggling act fairly well, particularly for a rookie still navigating all the complexities that life as a perimeter-oriented NBA player with a tumultuous jumper can bring.

Every year, 60 people are drafted into the NBA. Approximately 20 of them usually end up sticking around. Through a third of one season, Jones looks like a member of that 20-player grouping. His multifaceted defense is going to place him in All-Defensive discussions at some point. His offense, though much more in transit and tenuous, has a baseline to build upon with a discernible light at the end of the tunnel.

He’s the type of player every basketball fanatic gravitates toward as the glue guy on a winning team, and for good reason. The Pelicans aren’t that sort of squad just yet, but Jones is central to much of the winning they’ll accomplish this season, and he’ll be part of the foundation for what’s being established moving forward.

Categories
News Trending Viral Worldwide

The Best Games You May Have Missed In 2021

There was a feeling earlier in 2021 that we could be in for a slow year with regards to games being released, but that couldn’t have been further from the truth. The reality is that a lot of fantastic games came out every month, they just got overlooked. This is why we tried our best to come up with five games from the previous year that may have flown under the radar for one reason or another.

Whatever the reason, these games deserved a little more mainstream attention than they received.

Lost in Random

Lost in Random is a game where the player may as well be taking part in a fairy tale. The player controls Even as she goes on an adventure in a world very much inspired by Tim Burton to discover the fate of her older sister, Odd. In this world, the toss of a dice determine’s ones fate because random is fair, random prevails, and random rules. This also happens to apply in combat, where a roll of the dice and a deck of cards decides what weapons Even is able to use against enemies. This may sound like a deck building game, but it’s much more a third-person action game because the deck building is fairly basic. Where Lost in Random truly shines is the writing. It’s funny, witty, and will pull at your heartstrings every once in a while. It’s a game that deserved far more attention and recognition than it got. Unfortunately, it released in a fairly packed September and got lost amid everything else, but it’s very much worth your time.

Overboard!

Overboard! has a really unique premise: It’s a murder mystery game, but instead of trying to solve the mystery, the player is the one trying to get away with murder. They’ve just killed their husband on a cruise shop and now they have to use the little time they have left on the ship to map out a getaway strategy. Framing someone for murder means that they get to collect his life insurance check, which is the ultimate goal of the game. It’s a really great time, we enjoyed our time with it thoroughly, and want everyone to play it. A big reason it didn’t get more attention was it came out in June, which is the same month as E3.

The Great Ace Attorney Chronicles

Ace Attorney is one of the best visual novel series of games out there. Unfortunately, sometimes we have to wait a little bit longer for them here in the U.S. The Great Ace Attorney Chronicles is a good example of that. Set near the end of Japan’s Meiji period, The Great Ace Attorney Chronicles is a fun spin off that explores the ancestors of series protagonist Phoenix Wright. Both games in this setting came out in Japan years ago and it felt like we were never going to get them in the United States, but that’s no longer the case. This meant a whole new opportunity to solve murders, read hilarious dialogue, and explore fun environments for us Ace Attorney fans. Since the game came out in July and wasn’t technically “new,” though, it got missed by a lot of potential new fans. Anyone that’s a fan of murder mysteries and has wanted to give Ace Attorney a try should give this a spin. It’s well worth the time.

Dorfromantik

One of the best stress relief games to come out this year was Dorfromantik. While the game is still in early access, we felt that there was enough of a game in it to not only review it, but love it. The game is very simple: play like tiles together to build a world. By gathering enough resources together, the player will earn more tiles and will be able to continue playing the game. The entire time, relaxing music plays and creates an atmosphere that melts any worries away. Unfortunately, not only is Dorfromantik not a genre that’s going to get much notoriety, it also came out as an early access title, so most of the buzz around it came from word of mouth. We want more people to have a chill and relaxing time, and that’s why we want more people playing Dorfromantik.

The Artful Escape

The Artful Escape is as much an experience as it is a video game. It is designed to push the player forward. Failure is easily rectified and there are no real game overs. It’s not meant to challenge the player, it’s meant to put them on a journey. Through that, the player is able to go at their own pace. Enjoy the visuals and think on the story. It’s an experience that we enjoyed ourselves, but it didn’t gain as much buzz as we expected when it was released. Perhaps it was overshadowed, or maybe it fell through the cracks, but we hope that as time goes on, more people experience this delightful game.

Categories
News Trending Viral Worldwide

EST Gee Released The Deluxe Version Of ‘Bigger Than Life Or Death’ And A Video For ‘Jumpout Gang’

After previously releasing his mixtape, Bigger Than Life Or Death, back in July, today Louisville rapper Est Gee has shared the deluxe edition. On this extended version, he links up with artists like Yo Gotti, Future and Moneybagg Yo on additional collaborations. Never one to leave the video piece behind, he’s shared visuals for songs like “Price Tag,” “Riata Dada” and “Make It Even.”

Today he also shared a brand new video for another one the of mixtape’s tracks, “Jumpout Gang,” which you can check out above. The video features a cameo from Est Gee’s CMG labelmate 42 Dugg and was directed by Diesel Films.

The full extended tracklist for the now deluxe project is below.

Part 1:

“Riata Dada”
“Make It Even”
“5500 Degrees” (Ft. Lil Baby, 42 Dugg, and Rylo Rodriguez)
“Bigger Than Life Or Death”
“Sky Dweller”
“Lick Back Remix” (Feat. Future & Young Thug)
“In Town” (Feat. Lil Durk)
“Price Tag”
“Run N 2 Me” (ft. Yo Gotti)
“Capitol 1”
“All I Know” (Feat. Pooh Shiesty)
“Forreal”
“Real Reason”
“No Friends (Feat. Yo Gotti and 42 Dugg)
“Lick Back”

Part 2:

“Hit Maker”
“Lamborghini Geeski”
“Fan”
“Jumpout Gang”
“All My Life”
“Bloody Man”
“OD”
“Misery Loves Company”
“What It Is” (Feat. Yo Gotti)
“Balloons” (Feat. Moneybagg Yo)
“Dead Wrong” (Feat. Future)

Categories
News Trending Viral Worldwide

Report: Kyrie Irving Will Rejoin The Nets As A Part-Time Player

Kyrie Irving is on his way back to the Brooklyn Nets. After missing the first 29 games of the season due to his decision to not get vaccinated and the team’s hesitancy to having him around as a part-time player, Shams Charania of The Athletic reports that Irving has begun ramping things up and will take to the floor for the Nets soon.

Further reporting from Charania and Adrian Wojnarowski of ESPN indicates that the team blinked in this stand-off. Irving cannot play in home games due to New York City’s mandate requiring the COVID-19 vaccine, but despite their initial opposition to the idea, the Nets have changed their minds and are now ok with Irving practicing at the team’s facility and playing in away games.

Wojnarowski added that Irving is still not vaccinated, and after a collection of decision-makers at various levels of the franchise discussed the idea, the Nets are ready to welcome him back into the fold.

Like numerous other teams around the league, the Nets have been hit hard in recent days by injuries and players entering the NBA’s health and safety protocols. As of this writing, the following players are in the protocols: LaMarcus Aldridge, DeAndre’ Bembry, Bruce Brown, Jevon Carter, James Harden, James Johnson, and Paul Millsap. Brooklyn is an Eastern Conference-best 21-8 on the season.

Categories
News Trending Viral Worldwide

Whoa, The First Reactions To ‘The Matrix Resurrections’ Are Here, And They’re All Over The Place

Time has been kind to The Matrix series.

The original was hailed as a masterpiece upon its release in 1999, but the early reception to The Matrix Reloaded and especially The Matrix Revolutions was not as kind. That’s changed over the years. No one is claiming Reloaded or Revolutions is better than The Matrix, but there’s been a prequel-like reevaluation of the sequels since The Matrix Resurrections was announced, and people have come around on them. If you want to claim that Reloaded has the best set piece of the franchise, I’m with you.

If the initial response to The Matrix was universally positive and Reloaded and Revolution was largely negative, there will be no consensus reached on The Matrix Resurrections. The first reactions are all over the place: some people are going to love it, others are going to hate it, and very few are going to walk out thinking, “That was fine.”

The Matrix Resurrections, despite (and because of) its infinite goofiness, is the boldest & most vividly personal Hollywood sequel since The Last Jedi. a silly/sincere galaxy brain take on reboot culture that makes peace with how modern blockbusters are now only about themselves,” IndieWire‘s David Ehrlich tweeted, while Vox‘s Emily VanDerWerff added, “There was a point in the middle of The Matrix Resurrections where I briefly thought it was the best movie ever made, and, like, I haven’t convinced myself it’s NOT?”

Others were less kind:

Here’s a few more:

The Matrix Resurrections opens on December 22. Be sure to check out our interviews with Keanu Reeves and Carrie-Anne Moss.

Categories
News Trending Viral Worldwide

Maggie Gyllenhaal Makes Her Deliciously Eccentric Directorial Debut With ‘The Lost Daughter’

It’s one of the oldest Hollywood clichés, an actor saying ..but what I really want is to direct. As such, it sort of follows that so many actors’ actual attempts at directing can be boiled down to one desperate plea: please take me seriously!

That The Lost Daughter feels distinctly not like that is part of what makes it stand out. Maggie Gyllenhaal, who has never exactly been a conventional actress (for the love of God, check her out in the brilliant final season of The Deuce), turns out not to be a conventional director either. The Lost Daughter, Gyllenhaal’s debut for Netflix, adapted by Gyllenhaal from Elena Ferrante’s 2015 novel, feels genuinely like an attempt to use her clout to tell a unique story, to scratch an itch that most of contemporary cinema simply can’t or hasn’t. If there’s anything from Gyllenhaal’s acting career that feels recognizable in the way she directs, it’s that same seeming lack of vanity. She doesn’t seem to be begging to be taken seriously; just doing her thing.

It helps that Gyllenhaal has cast another brilliant, unconventional actress as her lead: Olivia Colman, as a professor named Leda on extended holiday in Greece. You spend most of the movie wondering just what the hell is this lady’s whole deal is. Leda is somehow slightly mousy, fabulously awkward, and surprisingly brassy all at once, whether she’s fielding advances from her rental’s local super, Lyle, played by Ed Harris, or tersely refusing to change seats to accommodate a large family of vacationers from Queens. (At this point it feels like Ed Harris has been pulling off “wizened yet oddly youthful” for 40 years).

Leda is the very definition of an “odd bird,” but always in relatable or nearly-relatable ways; never in the conventionally-unconventional, try-hard characterizations we often see in indies and art films, where being sad, sullen or a victim is considered pure poetry. Leda is more like an arthouse Larry David, her eccentricities dialed one more degree towards pathological.

In service of helping us understand… just what the hell this lady’s whole deal is, we have flashback sequences, starring Jessie Buckley (Fargo, Taboo) as the young Leda. Clearly one of Gyllenhaal’s gifts as a director is in finding actresses as singular as herself. In Buckley’s storyline, we see Leda as a young mum, chafing against the prison of motherhood, trying to get her husband to see her as a sexual being while attempting to get the world to reckon with her as a real writer and translator. She seems to kill two birds with one stone when she meets a fellow writer played by Peter Sarsgaard at a conference, who seems thrilled both by her talent and her body.

Back in the present, Leda hides a doll from a little girl, and just when you think she’s about to give it back, the doll shows up again and again as a sight gag somewhere in her apartment. If they gave an Oscar for macguffins, the doll would win in a walk. It’s a sign of a good art movie that it isn’t afraid to be hilarious, and Olivia Colman belongs to that vanishly small group of actors — Philip Seymour Hoffman, John C. Reilly, Rose Byrne, maybe a couple more — who can do broad comedy and almost imperceptibly subtle comedy with equal facility, and shift seamlessly from every shade in between.

Colman, Buckley, Sarsgaard; I defy you to assemble a more perfect cast. Dakota Johnson is better than she’s ever been as Leda’s unconventional frenemy, Nina (they both seem to sense that the other is a version of themselves at a different age). And yet if there is a flaw in The Lost Daughter, it’s that after a solidly entertaining and occasionally very funny movie, it gives us an ending that tries to substitute symbolism for resolution. There’s a recurring flashback involving Leda eating oranges (she likes to take the peel off in one piece) and then in the finale, boom, there’s an orange. Symbolically, I can sort of see what Gyllenhaal was going for here, with young Leda noting that it’s called a “navel” orange because of the little belly button on the bottom.

Get it? That’s the place where the mother attaches to child in the womb! It’s the very connection with which Leda struggles! Of course, understanding that bit of lateral thinking doesn’t especially improve the linear conclusion of the story, which is ambiguous to an unsatisfying degree. It’s not that we needed Leda explained, just some basics of time and place. It’s also a bit of a shame that a movie that was otherwise very much not a “watch me do some art” film ends on its most “Look at me doing an art” scene. It’s disappointing, but not enough to negate all the great things that came before. Flaws aside, Gyllenhaal genuinely feels like a new voice as a storyteller, and not just an actor stretching, which is a rare thing.

‘The Lost Daughter’ premieres December 17th on Netflix. Vince Mancini is on Twitter. You can check out his film review archive here.

Categories
News Trending Viral Worldwide

A mom complained about Highlights magazine showing kids in masks. Their response was perfect.

We’re heading into year three of the COVID-19 pandemic, and we’re all ready to be done. That doesn’t mean we are done, of course. The virus and its various mutations don’t give a flying fig how we feel, and with a new variant knocking on our door, we’re still knee deep in mitigation measures to try to keep our healthcare system from sinking. That means vaccines, limiting group gatherings and, of course, masking in public places.

It’s hard to believe that there are still anti-maskers at this point in a viral pandemic, but here we are. And not only do some of these folks not want to wear masks, they don’t even want to see people wearing masks.

A mom on Twitter even went so far as to call out the popular children’s magazine Highlights for including illustrations that show children wearing masks. Bethany Mandel shared a photo of a page of the magazine that showed a child playing the piano on a stage and kids in the audience behind the piano wearing masks. She also shared the email she sent to the editor of the magazine.


“Stop with the mask illustrations,” the subject line reads before the blunt opening, “Christine.” (Christine French Cully is the magazine’s editor-in-chief. I recall being taught to address professionals in a business letter with a bit more courtesy, but perhaps Mrs. Mandel’s education omitted such things.)

Then she voiced her complaint:

“I understand the objective here: to normalize masking young children. That is not a message I’m sending to my kids. Masks are a temporary situation and on their way out the door. Getting these magazines with mask illustrations is a reminder of the broken world we live in. We get your magazine to be an escape, not a reminder of the reality we’re forced to be living right now. I am planning to screen future issues, and if more of this content is present, we will be trashing them and canceling our subscription.

Best

Bethany Mandel”

If you think the complaint seems rather asinine considering we’ve been wearing masks for two years, you’re not alone. Many, many snarky comments followed, but Highlights responded with what is probably the most perfect reaction.

In a tweet, Highlights wrote:

“We want our readers to see themselves and their experiences in our magazines, so we’ve included masks and acknowledgements of the pandemic to help support kids. As one child wrote to us, ‘Kids need to know that they are not alone.’ Like you, we hope that this will be over soon.”

Simple, straightforward and honest. Including a quote from a child reader was a beautiful move, as was creating a sense of solidarity in the last line.

Mandel may think her kids want a magazine that will let them escape reality, but that’s not what Highlights has ever been about. It’s about helping kids become “creative, caring, curious, and confident.” Part of being caring during a pandemic is wearing a mask to protect others. Part of being confident is dealing with challenges head-on, which is what we’re doing when we listen to infectious disease experts and follow their advice.

Seeing reality reflected in an illustration is not going to harm kids. Masks are not evidence of a broken world—they are evidence of our collective efforts to mitigate a deadly pandemic. If anything, they are symbols of hope, of humans doing what they can to protect one another.

So much of this comes down to what we are choosing to teach our kids. My own kids have remarked more than once how happy they are to see people wearing masks at stores, how it makes them feel like they’re surrounded by people who care and who are smart enough to follow the guidance of public health experts. Nobody likes wearing masks, but we understand why they’re necessary.

We all want this to be over. But that won’t happen if people keep ignoring the measures that can help us get there and denying the reality of where we are now.

Categories
News Trending Viral Worldwide

Dogs Are ‘Significantly’ Boosting People’s Mental Health During The Pandemic, According To A New Study

In a new study that most dog lovers can probably confirm, owning a canine companion has been shown to “significantly” improve mental health during the pandemic. The survey polled current dog owners and potential dog owners, and what it found is that the current owners were less likely to be depressed and had a more positive outlook while navigating COVID restrictions.

“Dog owners reported having significantly more social support available to them compared to potential dog owners, and their depression scores were also lower, compared to potential dog owners,” according to Dr. Francois Martin of Nestle Purina Research. Via Study Finds:

“Dog owners had a significantly more positive attitude towards and commitment to pets. Taken together, our results suggest that dog ownership may have provided people with a stronger sense of social support, which in turn may have helped buffer some of the negative psychological impacts caused by the COVID-19 pandemic,” the researchers report.

The report also cited dog walking as a stress-reliever and a source of “motivated self-care” as new variants of the coronavirus continue to prolong restrictions such as social distancing and remote work/schooling, which can be mentally taxing to navigate. But with a canine buddy creating the need to step away for a trip around the block, we can definitely see how having a dog around can be the self-care push people need during these unusual times. Plus, dogs are great to snuggle with while watching Netflix. That’s gotta be a factor, too.

(Via Study Finds)