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‘The Daily Show’ Had The Absolute Best Response To Tulsi Gabbard’s Unsurprising Party-Switching News

After years of basically being a Republican anyway, former congresswoman Tulsi Gabbard announced this morning that she would be leaving the Democratic Party due to “cowardly wokeness” and “anti-White racism.” The move was not at all surprising to anyone who follows Gabbard’s antics, as she has openly been trying to bring down the Democratic party for years while spewing nonsense.

Most recently, she has been rumored to be running with Trump for his next presidential run, which should be an interesting disaster. But nobody is going to let her live this down, including The Daily Show.

The official Daily Show Twitter account congratulated Gabbard for her bravery in coming out, today, on National Coming Out Day, of all days! The lowercase “queen” was a nice touch of subtle shade, as the capital Queen is exclusively reserved for referring to royalty or talking to Beyonce.

Gabbard has been vocally supportive of Putin, anti-vax, anti-abortion, anti-trans… the list goes on. She was also on the Joe Rogan podcast earlier today just before her announcement. So, The Daily Show probably could and should have dunked on her harder. But still, most people were surprised that she was still technically a Democrat, anyway.

As for The Daily Show, Trevor Noah announced last month that he would be leaving the series after seven years as host. While there is no new host lined up, we hear Samantha Bee is free! She loves sending off some sassy Tweets to dunk on politicians!

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Stage And Screen Legend Angela Lansbury Is Dead At 96 Years Old

Angela Lansbury, the legend of stage (six Tonys, including a lifetime achievement award in 2022) and screen (18 Emmy nominations and three Oscar nominations, as well as an honorary award), died on Tuesday. She was 96 years old.

“The children of Dame Angela Lansbury are sad to announce that their mother died peacefully in her sleep at home in Los Angeles at 1:30 AM today, Tuesday, October 11, 2022, just five days shy of her 97th birthday,” her family said in a statement. “In addition to her three children, Anthony, Deirdre, and David, she is survived by three grandchildren, Peter, Katherine, and Ian, plus five great grandchildren and her brother, producer Edgar Lansbury. She was proceeded in death by her husband of 53 years, Peter Shaw. A private family ceremony will be held at a date to be determined.”

Born in 1925 in London, England, Lansbury was one of the last surviving stars of Hollywood’s Golden Age, having gotten her start in the 1940s. She was nominated for her first Oscar for 1944’s Gaslight, followed a year by 1945’s The Picture of Dorian Gray. Her third nomination — and arguably finest on-screen performance — was for her chilling performance as Mrs. Iselin in 1962’s The Manchurian Candidate.

Around the same time, Lansbury also started a run that led to the New York Times calling her the “First Lady of Musical Theatre,” including starring roles in Mame, Gypsy, and later, Sweeney Todd: The Demon Barber of Fleet Street. To a younger generation, however, Lansbury will forever be associated with Murder, She Wrote, where she played murder-mystery novelist and sleuth Jessica Fletcher, and Beauty and the Beast, the first animated movie to be nominated for Best Picture. That would not have happened without her stunning rendition of the title song, which she famously nailed in one take.

Try to not cry. You can’t.

(Via Broadway World)

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Carly Rae Jepsen ‘Could Cry’ About Her ‘The Loneliest Time’ Video With Rufus Wainwright

The seamless combination of Carly Rae Jepsen and Rufus Wainwright is rivaled only by the balance Jepsen strikes between disco and pop in her latest single “The Loneliest Time,” the title track of her forthcoming sixth studio album due October 21. The cinematic music video only adds fuel to the duo-we-never-knew-we-needed fire.

The video looks like it’s taken directly from old Hollywood, bringing to life what Jepsen and Wainwright harmonized in the first verse, “Just like Shakespeare wrote a tragedy / But our story, never finished it / ‘Cause our love, we never finished it.” Jepsen flies (literally) from her apartment window to Wainwright’s rooftop, where they delightfully dance and commit to giving elusive love another try “’cause we’ve had the loneliest time.”

Jepsen commemorated her full-circle moment with Wainwright on Instagram, detailing “the story of our meet cute” and admitting she’s so proud of “The Loneliest Time” that she “could cry.”

“I’ve know [sic] Rufus ‘intimately’ for years,” Jepsen wrote. “Since first hearing Poses something shifted in the way I look at life even — ‘life is a game and true love is a trophy’… but I was just a girl on a train hearing a perfect song and feeling that wild connection to an artist I’d never met before.”

“Fast forward 10 years and change and I’m an LA regular, who’s fallen (a few times) in and out of love — enough to write about it — enough to even call it a disco and smile through the tears a bit,” she continued, going on to note she “ever so politely stalked” Wainwright to get him on the track.

Jepsen announced The Loneliest Time in August and has released four singles. Preceding “The Loneliest Time” were “Western Wind,” “Beach House,” and “Talking To Yourself.”

The Loneliest Time is out 10/21 via Interscope and School Boy. Pre-save it here.

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What Is Lil Yachty’s ‘Wock’ & Why Did He Take It To Poland?

After setting social media ablaze with his new song for “Poland” and the clever one-liner “I took the wock to Poland” last week, it seems fans finally have an answer to what Lil Yatchy‘s “wock” means.

According to Urban Dictionary, “wock” is slang for a cough syrup containing Promethazine and Codeine produced by the company Wockhardt. Typically, the drug is used recreationally, mixed with a soft drink, and is known for having sedative effects.

Yachty also released an accompanying visual with the song on October 7. As for why he specifically took the wock to Poland, of all countries, that remains unclear.

The song caused all types of chatter across Twitter, and among those reacting was the social media account for Ryanair, an airline based in Ireland, not Poland, that decided to jump in with the fun online.

“Why do people flying to Poland keep asking about wock,” the account tweeted.

This past summer, the rapper announced that he was launching a line of frozen pizzas at Walmart, along with starring in Paramount +’s new rap battle movie, On The Come Up. In a recent interview with People, the rapper talked about his frozen food brand, saying, “I’ve been pushing to make it a part of my brand since the beginning of my career. I recently got some new management that was able to really push and make it happen. It couldn’t have happened at a better time. The thing behind my love for pizza was, quite frankly, my mom worked two jobs. She was a very busy woman. She’d be pretty tired when she came home, and she just always brought home a pizza. We went and picked up a pizza or baked a pizza. It became pretty standard in our life, and I loved it.

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The Republican Head Of Elections In Texas Is Pissed That Alex Jones’ ‘Insanity’ Has ‘Unleashed Hell’ On His Staffers

Being an election worker is becoming an increasingly dangerous job nationwide — in Texas in particular. And Texas Secretary of State John Scott is pointing a finger for this alarming trend squarely in Alex Jones’ direction.

In a new interview with Texas Monthly, senior editor Michael Hardy chatted with Scott about a recent report from the Brennan Center for Justice, which determined that one in every six election workers has been threatened because of their job. And how one Texas county just lost three of its top election officials because of increasing unease they felt in their positions. “It’s a huge problem,” said Scott.

When Scott claimed not to understand the reason behind these worrying statistics, Hardy suggested that “Surely former President Trump’s repeated claims of a stolen election have something to do with it.” But Scott, a Republican, wasn’t ready to take the bait. As he sees it:

Any time the temperature gets turned up, it’s possible to have nuts making these statements. At least in our office, what I was told is that these threats long preceded the 2020 election. The Infowars guy [Alex Jones] has unleashed hell on our election people. This has been going on for many years. And I don’t want to give a free pass to people who are crazy enough to go out there and say they’re going to kill somebody because they’re doing their job. I don’t want to give them an excuse — “Oh, well, it’s because somebody said something.” No, that behavior is unacceptable under any scenario. Just because somebody said something, or they saw something on TV, that doesn’t excuse it.

Scott says he knows several colleagues who have begun carrying a gun to work for their own protection. And while he understands the reasoning behind it — “I’ve gotten death threats; my folks in the elections division have gotten death threats” — he also thinks it’s “absurd” that it has come to this. “This is insanity,” he said. “You can’t have people receiving death threats for doing their jobs.”

(Via Texas Monthly)

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Matthew McConaughey Calls Out ‘Extremists’ In Both Parties After His ‘Frustrating’ Experience Fighting For Gun Control In The Wake Of Uvalde

Following the school shooting in his hometown of Uvalde, Texas, Matthew McConaughey and his wife Camila Alves hopped on a flight to meet with the families who lost their loved ones in the tragedy. A lifelong supporter of the Second Amendment, the actor knew that something had to be done and threw himself into efforts to move the needle in Congress.

After penning a powerful op-ed calling for common sense “gun responsibility,” McConaughey met with leaders in Washington and gave a devastating speech at the White House. Surprisingly, McConaughey’s relentless efforts worked. Against all odds, he was able to broker talks across the aisle, which resulted in the Bipartisan Safer Communities Act that would “incentivize red-flag laws; enhance background checks, especially for those under twenty-one; crack down on straw purchases; and close the “boyfriend loophole,” among other provisions.”

However, the process to pass the bill left McConaughey even further disenchanted with the federal government. In a soul-baring essay for Esquire, the actor reflected on his experience from meeting with the families to dealing with the quagmire in Washington that seemingly had no interest in solving problems:

I learned just how frustrating politics can be. There’s often more arguing about where, how, and who started a fire than working together to put the damn thing out. It sometimes feels like politicians don’t really want solutions, because solutions would put them out of a job. Optics are often prized over substance—who gets the credit often takes precedence over whom that credit is serving, or how well. With a disparity between belief and action, it’s hard to be in the make-a-difference business if you’re only in the reelection business. I was told on more than two occasions that the best way to remain in power is to vote no on everything—and while I understand that the wheels of government are constitutionally engineered to spin slowly in the mud, I learned that some consider their political purpose to be holding the hose over the dirt. Our government has deficits to repair, and not just the monetary kind.

As McConaughey writes, “It seems that each party is so harmfully consumed by despising the opposition that they’ve become little more than counterpunchers—so focused on the parry and the party defense that they’ve become reactive by default. They’ve lost sight of their own values and vision, thereby ceding their power to the fringes. That’s a problem.”

The actor then made a bold proclamation about what can be done to fix Washington’s indifference to the lives of everyday Americans.

“That’s why it’s high time we take the megaphone back from the extremists who’ve been manufacturing these false fractures among us,” McConaughey writes. “They’ve been selling us soft porn at the pep rally for too long. It’s time to kick them off the port and starboard sides of the boat on which American democracy sails . . . or at least relegate them to mopping the deck.”

(Via Esquire)

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2Rare Shakes Up ‘UPROXX Sessions’ With The High Energy ‘Q-Pid’

Since TikTok’s rise in popularity, a few trending sounds on the app have become just as respected in the streets. Today’s Sessions artist is responsible for one of those hits transcending TikTok’s FYP.

Meet Philadelphia’s 2Rare. You may know him as the rapper who called out Drake for copying his dance music style and then popped up battling Drake in his video for “Sticky.” Or, you’re an OG fan who has known of 2Rare since he made a name for himself after gaining traction on TikTok with his remix of 112’s 1996 hit “Cupid.” 2Rare graces the bathroom set today performing the studio recording of the TikTok favorite, titled “Q-Pid,” originally released with Lil Durk. It’s a no-brainer that 2Rare brings his high energy and love for dance to his Sessions set, bringing the enthusiasm of the viral dance trend he created to a live performance.

Watch 2Rare perform “Q-Pid” for UPROXX Sessions above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

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Tom DeLonge Offered A Confident Statement About Blink-182’s New Album After Rejoining The Band

It’s a joyous day in the pop-punk community, as Blink-182 announced this morning that Tom DeLonge has rejoined the group after leaving in 2015. They unloaded info about a lot of new endeavors at once, and we currently know varying levels of information about them.

We know the band’s 2023 and 2024 tour dates, and we know what upcoming single “Edging” (which drops this Friday, October 14) sounds like via a snippet heard in an announcement video. However, we don’t know much about the upcoming album, as the title, cover art, and tracklist have not been shared yet (although “Edging” is presumably included). What we can say about the album, though, is that DeLonge is feeling optimistic about it.

After the news of his comeback had had a few hours to simmer, DeLonge took to social media on his personal accounts. Sharing a vintage photo of Mark Hoppus, Travis Baker, and himself together, DeLonge wrote, “What if I was to tell you we just made the best album of our career.”

He also shared the reunion teaser video on his own pages and wrote, “We are back, and we brought dick jokes.”

Blink-182 is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Our Nation’s Most Important Yearly Tradition, Fat Bear Week, Has Been Rocked By Voter Fraud

There aren’t many good and pure things in this life, especially now, with everything that’s been happening. Sometimes, people need something to unite them, like sports or monumental Hollywood drama, or maybe a collection of huge bears with cute ears and big fluffy paws that could likely kill you in 14 seconds flat. And that’s why Fat Bear Week is so integral to the people!

Fat Bear Week is an annual event where fans can choose which Fat Bear is the Best Fat Bear, better than the rest of them all, as they prepare for hibernation. This year, we were met with some really top-notch bears like Chunk, a grizzly guy with a heart of gold, or Otis, the fan-favorite blonde bear who is always up to no good (probably…because he’s a bear). But this year, instead of some stiff but friendly competition, Fat Bear Week was tainted by America’s favorite deadly pastime: voter fraud.

On Sunday, the official Katamai National Park Twitter account revealed the news: “It appears someone has decided to spam the Fat Bear Week poll, but fortunately, it is easy for us to tell which votes are fraudulent. We have discarded the fake votes.” This is the most scandalous thing to happen to bears since Paddington ate lunch with the Queen and was labeled a class traitor.

Rolling Stone spoke to Amber Kraft of the National Parks Service, who said that it was immediately clear that there were some fake email addresses involved. “747 was leading in votes for the whole day and by quite a substantial amount,” Kraft says. “When there were just a few hours of voting left we noticed that 435 Holly received over 9,000 votes in a very short period of time.” It seems like Holly just so happened to know a lot of bears with really fast internet connections and opposable thumbs. Or maybe it was just a bunch of internet users with a lot of free time and a concerning obsession with bears.

The votes were quickly disregarded, and Holly was sent back to the loser’s circle for now, while Mr. 747 flew ahead of the competition as fast as a Boeing 747 jet…or something like that.

While the ordeal is worrisome for the future of Bear Democracy, it’s all in good fun to the humans. Kraft added, “We hope that the awareness that Fat Bear Week brings will grow into caring and action in whatever way makes the most sense for each individual.” Next year, maybe they will give each bear their own Twitter account! Actually, maybe not.

(Via Rolling Stone)

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Christine And The Queens Deconstructs Masculinity In His Ethereal Single ‘La Chanson Du Chevalier’

Redcar is back. Christine And The Queens crafted the new moniker for his forthcoming album, Redcar Les Adorables Etoiles, and subsequent shows. The newest single for the project is here, following in the footsteps of last month’s “Rein Dire.”

“La Chanson Du Chevalier” is an ethereal contemplation of masculinity with a performative music video that features Redcar alongside Rodin’s bronze l’Age d’airain statue, representing “what a young man appears to be.” Redcar, also known as Chris since his 2018 album Chris, “embodies its physical presence, with the deep flexing of the muscles just beneath the skin.”

In August, Redcar shared with fans that he was using he/him pronouns and had “been a man for a year now.” He had discussed his gender identity to The New York Times in March as part of a joint profile alongside collaborators Charli XCX and Caroline Polachek.

“My journey with gender has always been tumultuous,” he said. “It’s raging right now, as I’m just exploring what is beyond this. A way to express it could be switching between ‘they’ and ‘she.’ I kind of want to tear down that system that made us label genders in such a strict way. I remember talking about being pansexual in France in 2014 — it was a conversation that few opened up, and I was advised in, like, offices to maybe tone it down. I’m really trying to address it the right way now, and I’ve been sometimes pressured to give an answer. But I think the answer is to be flickery, fluid, escaping.”

The “La Chanson Du Chevalier” video serves as a precursor to the French artist presenting Redcar: La Chanson Du Chevalier at the Paris+ fair by Art Basel, where he will be the guest of honor from October 19 to 24. His tour around Redcar Les Adorables Etoiles was postponed from September due to injury, and the three sold-out shows will now take place in November. See those dates below.

11/09 — Paris @ Cirque d’Hiver
11/10 — Paris @ Cirque d’Hiver
11/22 — London @ Royal Festival Hall

Redcar Les Adorables Etoiles is out 11/11 via Because Music. Pre-save it here.