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More Details About Jared Leto’s ‘Rat’-Gift To Margot Robbie Have Surfaced, And It’s Still The Most Bizarre Story

The story goes that Jared Leto, when playing Joker in the first, darker Suicide Squad movie, gave his fellow cast members some shocking gifts. One of them, as legend has it, was a dead (?) rat. It was given to Margot Robbie, who played his onscreen paramour, Harley Quinn. Like many wild tales, it might be apocryphal. Leto has denied it. (He says he gave her vegan cinnamon buns — a pretty simple mix-up, if you ask us.) But in a new profile with Robbie in British Vogue, the plot seems to thicken.

The piece is centered around the DC film’s semi-sequel, which jettisons, among other things, director David Ayer and co-star Will Smith. Robbie’s Harley Quinn, who got her own zany solo film, Birds of Prey, is one of the ones who came back, joining a greatly expanded cast of newbies. Among the returning is Viola Davis, who played Amanda Waller, shady leader of the Task Force X program. And the way she tells it, it was a rat, not vegan foodstuffs. What’s more, it sounds like it wasn’t dead.

Davis recalls the infamous rehearsal at which Leto handed out his fun gifts. Robbie had no idea she was about to be pranked. As per Davis:

“I was saying loudly, ‘Don’t open the box!’ I was halfway out the door when she opened the box … and saw the biggest black rat you could imagine. Then… she cooed at it. No fear. Open. Receptive. Full of joy.”

Davis doesn’t explicitly say the rat was very much still kicking, but it certainly doesn’t seem like Robbie’s thing to, uh, coo at a rodent corpse. In any case, a story that was already bottomlessly bizarre somehow keeps finding new ways to get weirder. In the meantime, Leto is not among the returning cast for The Suicide Squad, which arrives on July 30.

(Via British Vogue)

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Texas policy group shares—then deletes—ridiculous list of critical race theory ‘buzzwords’

Before we get into the Texas Public Policy Foundation deleting its ridiculous CRT graphic, let’s be crystal clear about the fact that the state of Texas was quite literally founded on racism.

That’s not an opinion from modern critical race theory scholars, but a statement of fact—”undeniable truths”—straight from the mouth of Texas itself in 1861. Just take a moment and let these excerpts sink in:

“We hold as undeniable truths that the governments of the various States, and of the confederacy itself, were established exclusively by the white race, for themselves and their posterity; that the African race had no agency in their establishment; that they were rightfully held and regarded as an inferior and dependent race, and in that condition only could their existence in this country be rendered beneficial or tolerable.” The state of Texas describing why it wanted to secede from the Union, 1861

Texas’s self-stated reasons for secession include the non-slaveholding states having “an unnatural feeling of hostility to these Southern States and their beneficent and patriarchal system of African slavery, proclaiming the debasing doctrine of equality of all men, irrespective of race or color—a doctrine at war with nature, in opposition to the experience of mankind, and in violation of the plainest revelations of Divine Law.”

Texas also explains, That in this free government *all white men are and of right ought to be entitled to equal civil and political rights* [emphasis in the original]; that the servitude of the African race, as existing in these States, is mutually beneficial to both bond and free, and is abundantly authorized and justified by the experience of mankind, and the revealed will of the Almighty Creator, as recognized by all Christian nations…”

Oh, and there’s also this little tidbit: “She [Texas] was received as a commonwealth holding, maintaining and protecting the institution known as negro slavery—the servitude of the African to the white race within her limits—a relation that had existed from the first settlement of her wilderness by the white race, and which her people intended should exist in all future time.

So to sum up, Texas stated in no uncertain terms that it 1) was founded for white people to be able to enslave Black people because that’s what God wanted, 2) that slavery was not a “necessary evil” but was actually good, 3) that racial equality was against nature and Divine law, and 4) that’s the way it was intended to be for all time.

But sure, let’s not talk about “oppressors” or “power structures” or “white supremacy” or “ethnocentricity” as we teach kids the history of our nation. It’s not like the primary source excerpts above reek of such ideas.

This morning, the Texas Public Policy Foundation shared—then deleted—a graphic with a list of terms they claim are indicative of critical race theory (CRT) being taught in children’s classrooms. Terms like those above, as well as “anti-racism,” “unconscious bias,” “identity,” “social constructs” and more, are apparently words parents need to “stay on the lookout for” as they hunt for clues that their children are being taught the full spectrum of history and racism in the U.S. (now distilled and demonized into a bogeyman known as CRT).

The Texas Public Policy Foundation’s stated mission is “to promote and defend liberty, personal responsibility, and free enterprise in Texas and the nation,” so of course it would advocate banning an entire academic field of study, including any words that liberty-loving lawmakers deem even slightly related to it.

It’s probably just a coincidence that the terminology listed here comes largely from the work of Black and Brown scholars specializing in the role of race in American history and society. Surely, this isn’t a mostly white power structure pushing the 95% white Texas Republican lawmakers to “cancel” anything that touches on how Texas’s objectively racist history might possibly impact people in the present. That would just be far too on-the-nose with what CRT explains.

Maybe that’s why they took the tweet down. Or maybe the backlash was just too much.

It is entirely possible for people to have legitimate criticism of and debates about critical race theory. But such debates take place in law school classrooms or other higher education settings among people who have actually studied it in-depth and actually know what they’re talking about, not between people who spend their days consuming 280-character hot takes and their evenings sucking down soundbites from cable television hosts.

What we’re seeing in current public discourse is not informed debate. What we’re seeing is a deliberate attempt to paint the racial reckoning that this country has long needed to go through as “dangerous” by highlighting and misrepresenting certain CRT concepts, lumping everything having to do with anti-racism under that umbrella, and convincing people that their children—think of the chilllldrennnnn—are being “indoctrinated” with it in schools.

The “Reefer Madness”-style hysteria over CRT would be hilarious if it weren’t so harmful to progress. We’ve just finally gotten around to teaching (some) true history when it comes to race. My generation didn’t learn about Juneteenth or the Tulsa Race Massacre. We didn’t read the Declaration of the Causes of Secession to see how blatantly some of those Southern states justified and defended the enslavement of Black people with unapologetic racism. And that’s just basic history.

Critical race theory is a method of understanding how that history, and the laws and policies that came along with it, have impacted racial groups differently. It explores the possibility that disparate outcomes along racial lines are due to systems and structures that serve to maintain the status quo rather than some inherent deficiency in certain races. To call CRT “racist” because it acknowledges and explores the effect of hundreds of years of white supremacist oppression (again, see Texas’s own words above as just one example), and because that exploration might make white people feel bad, is just silly.

(For a good synopsis of the current debates over CRT in education, what it is and what it isn’t, see this article from Education Week.)

It’s possible to learn about CRT fully and not agree with every part of it. It’s also possible to learn about CRT as a white person and say, “Yeah, that makes sense. Race is a social construct, but a powerful one. White people have held the power in this country since colonial times and often used racism to keep it. Over hundreds of years, through various power structures (government, courts, policymaking groups, educational systems, etc.), we enslaved Black people, murdered and displaced Native Americans, made laws against immigrants from certain ethnic groups, made laws against integration, made laws against interracial marriage, put Japanese citizens into concentration camps, etc. Surely, that history has had an impact on the present and there are surely residual negative effects that need to be remedied. It makes sense that different racial groups have different roles to play in that remedy, with white people bearing the greatest responsibility since we’ve always benefitted from that history and we still hold the most power.”

That’s my simplified version of what I understand CRT to be exploring. There’s nothing scary or dangerous in there that I can see. Some of it can be easily misconstrued by bad faith actors or people who plug their ears as soon as they hear the word “racism,” but reality is reality.

Figuring out the solutions to racial issues in the U.S. is obviously a complex endeavor. But we will get absolutely nowhere by canceling an entire academic field designed to explore those issues. And to rail against terminology that would make it impossible to accurately teach your own state’s history is quite telling.

Way to reinforce the very concept you’re attempting to attack, Texas Public Policy Foundation.

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The ‘Mario Golf: Super Rush’ Computer Characters Are Terrible At Golf

Last night, I purchased the new Mario Golf: Super Rush and it is a delightful game. What follows here has nothing to do with its merits as a game or its enjoyability, because it has been a joy to play at this point and is exactly what I want out of a Mario Golf experience as someone who used to rent the Nintendo 64 version so much from Blockbuster that I surely spent more money than it would’ve cost to just buy the dang thing.

The new Mario Golf has all of the same fun as I recalled the original having with the additions of a speed golf mode that is extremely fun and, for anyone that’s ever played any golf game, is very intuitive — for others it might take a bit longer to learn how to quickly read greens and wind and slope and everything else as I learned as my partner grew increasingly frustrated during our first round of speed golf as I shot better than I had playing regular golf earlier in the evening.

My lone complaint is that the computer is absolutely garbage at golf. After playing exclusively with person v. person on my first night with the game, I fired it up on Wednesday afternoon by myself and decided to play 18 holes of standard golf against three computer players and, my heavens, it was a disaster. It’s hard to overstate just how awful the computer is at this game. I realize they’re not supposed to be great because this is because it is a game made for children and not people that have logged many hours on golf games over the years, but that’s no excuse for some of the things that happen to the computer players.

Here is an incomplete list of things that I saw my playing companions (Toad, Yoshii, and Peach) do as I (Donkey Kong), went on to shoot a tidy 6-under round while the computer couldn’t muster anything better than 7-over on the very easy first course they give you that has no danger anywhere on it:

  • Toad, twice, missed putts between 3-5 feet that left longer putts coming back than he had to start
  • Toad (he was an abject disaster while the other two were just bad), twice, used his power up super shot to hit an approach that came up 20 yards short of the green on a par 4, gaining no discernible advantage
  • Peach, at one point, aimed directly into a tree that was not on line with the pin and launched a ball into it, causing her to come up well short of the green on an approach
  • Yoshii hit a chip shot from 30 feet away so hard that he had 60 feet left for his putt and was still away
  • All three of them regularly just…hit their approach shots wildly short of the green when they easily could have reached
  • All of them missed dead straight putts by aiming well outside the hole for no reason (overall, they are just awful at putting)
  • Toad, who is the shortest hitter in the game, and Peach, longer but not by much, constantly hit 3-wood off the tee (not fully powered) and left themselves approach shots so long they could either not physically get to par 4 greens in regulation or had to hit another wood in (often leaving them well short)

By the end of the 10th hole the scorecard looked like this and I was melting down because of how long it was taking as they hacked it around the course.

The lesson, I learned, is to never play the computer in the standard golf setting, because it will drive me insane. They’re not good in speed golf either, but I didn’t notice how not good they were because they’re running from shot to shot and you’re all hitting at the same time, meaning their bogeys only take a little longer than it takes to make a birdie or par. In any case, Mario Golf: Super Rush is a good game, the AI players are just dreadful golfers.

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The ‘What We Do In The Shadows’ Masterminds Are Working On A Mysterious New Project

After turning What We Do in the Shadows into a cult comedy film that spawned a breakout series on FX, Jemaine Clement and Taika Waititi are working on a brand new TV project. While he couldn’t reveal a lot of the details, Clement shared his enthusiasm for the new series in a new interview with Entertainment Weekly:

“I can’t tell you much about it yet, but what’s fun about it and what makes it exciting for me is it’s something I always wanted to do which is long-form episodes in a sitcom. It’s an action-adventure comedy. It’ll be different from what I’ve usually done. I’ve made three sitcoms now, and I hope this one is still funny but more of an adventure series.”

However, the news does come at the expense of What We Do in the Shadows world. Particularly, it’s spinoff series, Wellington Paranormal. While Shadows will have a third season despite Clement leaving the writing staff (and, now, we know why), he said that Wellington will be “pausing” and may not return.

It’s also yet another project added to Waititi’s plate. He only just recently wrapped production on Thor: Love and Thunder, but that still leaves him tied up with his upcoming Star Wars film, a live-action Akira remake, and a new Blackbeard pirate series for HBO. And we feel like we’re probably leaving out at least 10 other things. But if this new series with Clement is even half as good as What We Do in the Shadows, who’s to argue with the man’s methods?

(Via Entertainment Weekly)

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What’s On Tonight: Channing Tatum Is A Profane George Washington In Netflix’s ‘America: The Motion Picture’

America: The Motion Picture (Netflix film) — Channing Tatum voices a very profane (and buff) George Washington in this series that’s directed by Archer‘s Matt Thompson and produced by The Mitchells vs. the Machines‘ Phil Lord and Christopher Miller. Washington declares that he wants to “start a f*cking revolution,” and he’s accompanied by a beer-guzzling Sam Adams, an angry Geronimo, Paul Revere, and Thomas Edison as they decide to take on Benedict Arnold and King James. In the synopsis, Netflix promises, “[T]hese are not your father’s Founding… uh, Fathers.”

Loki: Episode 4 (Disney+ series, releasing in the wee hours of Wednesday morning) — Tom Hiddleston has an absolute blast playing the mercurial trickster of the MCU, and we shall reap the benefits while he helps (or hinders) the Time Variance Authority during the process of cleaning up the timeline. This week, the show will follow up on Sophia Di Martino’s “Variant” character teaming up with Loki, after the series inserted a significant detail into canon while appearing to also confirm a theory about the TVA.

Somos. (Netflix series) — This series recreates stories that are inspired by the work of Pulitzer Prize-winning journalist Ginger Thompson. She dug into a small down called Allende during a period that’s rocked by a massacre, which was sparked by a drug war and a DEA operation that did not go as planned.

Prime Time (Netflix film) — The time is 1999, and the occasion is New Year’s Eve. A 20-year-old man takes hostages after entering a TV studio. The man doesn’t know his plan, nor does anyone else, although he has a message that’s interrupted by police, and as he waits it out, he apparently bonds with his hostages. Hmm.

D.C.’s Legends Of Tomorrow (CW, 8:00pm) — The gang is back together while Nate must do his best to keep everyone and everything levelheaded during a mission to locate an alien in the Old West.

Batwoman (CW, 9:00pm) — The season finale sees Ryan Wilder attempting to figure out whether she’s truly meant to be the city’s her. Meanwhile, she just join forces with Luke, Mary, and Sophie after Black Mask runs amuck and causes chaos.

Crime Scene Kitchen (FOX, 9:00pm) — Joel McHale’s the host of this bizarro cooking-focused reality-competition show, which sees chef teams attempt to figure out what was baked after a dessert disappears, leaving only ingredients in the aftermath. McHale is one of the best famous-types at the art of the interview, and I’ll stand by that claim.

In case you missed this pick from last week:

Too Hot To Handle: Season 2 (Netflix series) — This frustratingly horny dating show’s all about figuring out whether any of the sexy singles can withstand the no-kissing and no-heavy-petting and no-masturbation rules of the house. It’s somehow sexy but not-sexy at the same time, and the show’s inspired by a Seinfeld episode, in which Jerry, George, Elaine, and Kramer all tried super-hard to withstand the urge to self-pleasure themselves. I dunno, man. Questions of proof abound, but people sure are entertained by this Netflix show.

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Report: Giannis Antetokounmpo Has No Structural Damage In His Hyperextended Knee

Giannis Antetokounmpo suffered an injury during Game 4 of the Eastern Conference Finals on Tuesday night. Antetokounmpo attempted to break up a lob that Lou Williams threw to Clint Capela during the Hawks’ 110-88 win, and when he landed, his left knee buckled, causing him to fall to the ground and hold his leg in pain.

While he needed some assistance from his brother, Thanasis, he was able to put some weight on his knee as he made his way to the locker room, and despite trying to walk back out to the bench, he spent the rest of the game in the back with what the team called a hyperextended left knee.

On Wednesday, the two-time league MVP underwent more testing, which revealed, happily, that there was no structural damage to his knee beyond the hyperextension, per ESPN’s Adrian Wojnarowski and Zach Lowe.

As Woj notes, there still isn’t a timetable for Giannis’ return and his status for Game 5 is unknown. The Hawks have struggled to find a consistent answer for Antetokounmpo during the series, as he entered Wednesday night averaging 30.7 points, 10.7 rebounds, 6.3 assists, two steals, and a block in 37 minutes per game while connecting on 59.4 percent of his field goal attempts.

Game 5 between the Hawks and Bucks takes place on Thursday night in Milwaukee, and further updates will be needed to determine whether the Bucks will have their star or not.

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Here Is The 2021 WNBA All-Star Roster That Will Play Team USA In July

The 2021 WNBA All-Star roster was announced on Wednesday with seven first-time honorees named including Liberty standout guard Betnijah Laney, Aces two-time reigning Sixth Woman of the Year Dearica Hamby, and last season’s scoring champion, Wings guard Arike Ogunbowale.

The complete roster for the All-Star team includes: Candace Parker, Liz Cambage, DeWanna Bonner, Kahleah Copper, Dearica Hamby, Brionna Jones, Jonquel Jones, Betnijah Laney, Arike Ogbunowale, Satou Sabally, Courtney Vandersloot and Courtney Williams. WNBA legends Tina Thompson and Lisa Leslie will serve as the team’s co-head coaches.

This season, the All-Star Game will be under unique rules as the All-Star team will compete against Team USA’s Olympic team in Las Vegas on July 14. The 12 U.S. Olympians who they’ll be competing against include: Sue Bird, Diana Taurasi, Chelsea Gray, Skylar Diggins-Smith, Jewell Loyd, Ariel Atkins, Tina Charles, Napheesa Collier, Breanna Stewart, A’ja Wilson, Sylvia Fowles, and Brittney Griner. Dawn Staley is the team’s head coach.

The most noteworthy exclusion from both teams was 2016 MVP Nneka Ogwumike, whose snub from the Olympic team was highly controversial. Her omission from the All-Star Game made more sense as the veteran is recovering from a knee sprain and has only appeared in five games this season.

Voting was open from June 15 to June 27 at 11:59 p.m. ET. On two Sundays, votes counted twice. Fans and media were able to vote for four backcourt and six frontcourt players. Fan vote accounted for 50 percent of the total vote, and media and WNBA players accounted for 25 percent of the vote each. The top 36 players (nine backcourt and 15 frontcourt) were then put in a pool that WNBA coaches voted for. Coaches could not vote for their own players. Starters for both teams will be determined by their respective head coaches.

The WNBA finding a way to add an All-Star Game in an Olympic year is a wonderful add for both players and fans. Every four years since 2000, the league’s best players weren’t awarded an All-Star nod for their performance. Now they’ll be able to add this accolade to their resume

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‘Indiana Rye’ Whiskey Is (Finally) A Legally-Recognized Designation

Craft distillers and local politicians in Indiana scored a pretty big boon for their local whiskey this week. Starting July 1st, “Indiana Rye” whiskey will be a legally binding regional whiskey style of American whiskey.

Indiana has a long history with rye whiskey and produces the lion’s share of the rye whiskey consumed on the market today. MGP of Indiana alone distills and matures ryes for Angel’s Envy, Bulleit, George Dickel, High West, James E. Pepper, Redemption, WhistlePig, and so, so many more. Their 95 percent peppery rye mash bill is so ubiquitous that most people just think that’s what rye tastes like in general (it’s actually not, at all).

Of course, rye has a much longer history than MGP’s Lawrenceburg plant (which itself stretches back to 1847). Rye was way more common as a whiskey in the 1700s and well into the 1800s. The American whiskey trail from antebellum Virginian plantations to the Allegheny and Ohio valleys of western Pennsylvania towards Indiana is the heartland of rye whiskey to this day. Of course, rye whiskey is made all over Kentucky, Tennessee, and in any other state distilling spirits these days. But the real heart of the spirit remains in Indiana and the 30-odd distilleries pumping out local rye whiskey are a testament to that.

The law is pretty straightforward when it comes to whiskey regulations. To be called an “Indiana Rye,” the whiskey needs to be either a sour or sweet mash with at least 51 percent rye as the base ingredient. The juice has to come off the stills at 80 percent ABV or less, go into the barrel at no more than 62.5 percent ABV, and be bottled at 40 percent ABV and above. It’ll have to be aged a minimum of two years in new white American oak barrels.

The heart of the bill is that it allows local distillers to label their product with the term “Indiana Rye” whiskey and have it be a legally binding regional designation federally. In essence, you’re going to start seeing bottles labeled “Indiana Straight Rye Whiskey” in the same vein as you see “Kentucky Straight Rye Whiskey” or “Tennessee Straight Rye Whiskey” now.

Does this mean that WhistlePig and Bulleit are going to start labeling their ryes as “Indiana Straight Rye Whiskey”? Probably not. Both of those brands lean into being from Vermont and Kentucky (respectively), regardless of the fact that they source from MPG. This is more of a win for the small, local craft distillers who now get to call their whiskey their own, with laws protecting them. It’s also a play to help make Indiana more of a whiskey destination.

State Rep. Chris May, who spearheaded the legislation, said, “we want Indiana to be as popular for its rye whiskey as it is for basketball and racing.” He continued, “Establishing that market, both in sales and tourism, might one day put the success of our state’s distilleries on par with that of the Kentucky Bourbon Trail.”

Those are lofty goals, given that the Kentucky Bourbon Trail brings in north of $8 billion annually. To be honest, most American rye drinkers don’t even realize their rye is most likely from Indiana yet. But this is the first step in shifting that awareness and it may very well lead to a larger sea change.

(Via The Herald-Times)

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Matt Gaetz Is Demanding An Investigation Into Tucker Carlson’s Claims That The NSA Is Spying On Him

Republican Representative Matt Gaetz is currently under investigation by the Department of Justice over sex trafficking charges, so you’d assume he’d be the last person to call for yet another investigation into the affairs of one of his conservative-leaning buddies. And yet, here we are.

During a House Judiciary Committee hearing, Gaetz used his time to address some disturbing allegations from the camp of Tucker Carlson, asking Congress to investigate claims made by the Fox News host on-air this week. Those claims center on Carlson’s belief that the National Security Agency is spying on him and his team. Earlier this week, Carlson went on a bizarre rant that ended with an accusation against the NSA saying a “whistleblower” had reached out to warn him that the agency was “monitoring our electronic communications” with the intention to “leak them in an attempt to take this show off the air.”

So Carlson thinks a government agency is allocating resources to take down the TV show he uses to spew wild conspiracy theories and insult top-ranking military members by calling them “stupid pigs.” But the kicker is that Gaetz, a politician currently embroiled in his own legal scandal, seems to believe it, too, and he’s using his platform to ask Congress to look into these weird claims his friend has made — despite the fact that the NSA has completely denied these allegations and that Gaetz really can’t afford to wade into yet another political catastrophe.

“It’s not like the NSA’s never lied to us,” Gaetz said (in a video that he tweeted out) during the hearing after calling the NSA’s statement denying Carlson’s claim a “couched” statement. “We were told that there was no bulk collection of Americans’ data. It turns out there was bulk collection of Americans’ data and no one ever was held to account for that. We cannot count on these people to police themselves.”

Gaetz wasn’t done yet. He continued, asking that an “Inspector General investigation into any monitoring that the NSA or any other element of the intelligence community is engaged relevant to Tucker Carlson” be conducted. Now, Carlson and Gaetz recently had a bit of a falling out after Gaetz came on Carlson’s show to defend himself against those pesky sex trafficking allegations and the whole thing read like a Twilight Zone episode. Carlson was apparently a bit peeved that Gaetz seemed to “drag” him into the whole thing, which again, feels like a good enough reason for the Congressman to keep his mouth shut when it comes to alleged investigations into Carlson’s activity.

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Tasting Notes On The Highest Scoring Bourbon Whiskey In The 2021 International Wine & Spirits Competition

Redemption Bourbon is sourcing and blending some of the best bourbons on the shelf today. That fact was just reaffirmed by two of their bourbons taking home top honors at the world’s largest spirits awards, the 2021 International Wine & Spirits Competition.

Redemption’s 9-year Barrel Proof Bourbon took home a “Gold Outstanding” medal. According to the judges at the competition this year, that whiskey scored at least 98/100 points. That alone is enough to give Master Blender Dave Carpenter and the whole crew over at Redemption cause to celebrate.

The cherry on top was that their 10-year Barrel Proof High Rye Bourbon took home the top award as both the highest-scoring bourbon (99/100) and top-rated American whiskey this year. And that’s the expression we’re talking about today. We’ll get all 16 winners a little later this week.

I was lucky enough to taste this bourbon whiskey with Carpenter a few short months ago and have been enjoying this expression quite a bit since then. Make sure to click on the price if you want to give this one a whirl too.

Redemption 10 Year Barrel Proof High Rye Bourbon

Redemption Bourbon

ABV: 57.2%

Average Price: $100

The Whiskey:

Redemption has a knack for sourcing some of the best barrels from MGP in Indiana. This multi-award-winning bourbon starts off with a base mash bill of 60 percent corn, 36 percent rye, and four percent barley. After ten years of maturation, the barrels are expertly vatted to make a highly sippable bourbon experience. That marriage of bourbons then goes into the bottle — uncut and unfiltered.

Tasting Notes:

There’s a woody vanilla and floral honey vibe on the nose with a touch of almost burnt toffee and worn leather. Espresso beans mix with a dab of smoky bacon fat that leads towards a slightly bitter black peppercorn. Slight creamy vanilla leads towards a hint of soft cherry sweetness as the pepperiness edges towards lemon pepper soaked in honey, with a slight note of green reeds at the end. The finish dries out and amps up the spiciness as a hint of dark chocolate lingers on the very end.

The Bottle:

Redemption uses pretty unique bottles. The squat glass bottles feel bespoke and have a serious heft to them. The cork is held in with a bit of twine, which is a nice touch. Overall, this is a handsome bottle that stands out on any bar cart.

Bottom Line:

Although this didn’t win our Barrel Proof blind taste test, I did have this to say about this one. “This was subtle and nice. In fact, I’ve dipped into this one quite a bit over the months. That being said, it didn’t quite hit the heights I thought it would against this line-up. Which is fine — it still tasted pretty damn great.”

Tasting it again today and I stand by that. This is a great sip that never disappoints. It’s subtle, full of classic high-rye bourbon notes, and really easy to sip neat.

Rating:

95/100 — Yeah, this is pretty great, though I clearly differ with the IWSC judges a little. It’s complex while still being understandable. All in all, it’s easy to see why folks dig this one so much.