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Bas Admits To Being ‘Star-Struck’ When He First Met Jay-Z

It’s been a decade since Bas’ released his first mixtape Quarter Water Raised Vol. 1., which he created music with help from J. Cole, who served as a mentor of sorts before they joined forces on the Dreamville imprint. That year was also when Cole released his debut album, Cole World: The Sideline Story, after signing to Jay-Z’s Roc Nation label. During a recent conversation with HipHopDX, Bas recalled the first time he met Jay-Z, which occurred during a studio session with Cole.

“I’ve been in some rooms with Cole, where he was working with some people,” he said. “Then I did Revenge Of The Dreamers [III], where we had half the industry in the studio. You know what I mean? But the first time Hov pulled up to a Cole session, I was pretty star-struck. I can’t lie. I grew up on Hov.”

He added, “That was probably like 2011, 2010. It was the very early, early Cole days. I just said, ‘What’s up?’ He’s real cool. Hov’s mad down to Earth. Super down to Earth. But at that point, I didn’t know that about him. I just know him from what I seen.”

He concluded, “Since then, I just know that’s how he is. He’s just a chill dude.”

Bas also spoke about hitting the road for live concerts in the near future after spending more than a year at home due to the pandemic. “I’m super excited to get back on the road,” he said. “I miss it a lot. You got to find the pros and cons to it. Obviously, shows were taken from us and just human interaction in general. The adventure of life was also kind of taken away. Things got real settled, but there’s pros to that, too.”

You can read Bas’ full interview with HipHopDX here.

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James Gunn Says Yet Another Presumed-To-Be-Whacked Character From ‘The Suicide Squad’ Might Not Be Quite Dead

Warning: This post contains spoilers for The Suicide Squad, which HBO Max subscribers can still watch until September 5.

The Suicide Squad — which is to say the recent, Will Smith-less sorta-sequel to 2016’s Suicide Squad — kicked off with a bang: It whacked a good chunk of the cast before the opening credits even started. Even Pete Davidson! By the end, writer/director James Gunn backtracked a bit. In the end credits we learned that both Weasel and John Cena’s fascistic Peacemaker weren’t quite dead. (The latter, after all, has his own show to tend to.) But now Gunn’s revealed they aren’t the only two.

Gunn took to Twitter Monday to point out one detail many may have missed. “Important to note if you look at the life signals in the Comms hub TDK isn’t dead,” Gunn wrote, referring to the character played by Nathan Fillion: a superhero whose power is…detachable arms. He’s arguably the most WTF of the Squad this round, based on one of the most WTF characters in DC history. (The acronym, which Fillion’s character is loath to explain, stands for The Detachable Kid, though he’s also sometimes known as Arm Fall Off Boy.)

Indeed, if you look closely at the digital read-out on Amanda Walker’s computer, showing the life stats of each Squad member, TDK is one of the only ones that’s still green. His arms got pelted with machine gun fire, but the guy’s fate remained unresolved.

One person who did catch this bit was Fillion himself, when he went to go see the movie.

So have we seen the last of one of DC’s most curious characters? Possibly not.

(Via EW)

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Britney Spears Reportedly Claims Her Father Is Attempting To Extort Her Ahead Of His Potential Removal As Conservator

Britney Spears’ conservatorship battle is still in progress, as the singer looks to not only remove her father Jamie Spears from his conservator role but also end the court-approved arrangement altogether. Britney recently hired a new lawyer, Matthew Rosengart, and while that case is ongoing, there’s been a new development. According to TMZ, Jamie is allegedly trying to extort his daughter ahead of his potential removal. Legal documents that were obtained by the publication say the singer’s father is asking for around $2 million.

TMZ adds that Jamie plans to use some of the money to pay his lawyers and former business manager Tri Star. Britney’s lawyer, on the other hand, is quite upset at Jamie’s alleged act and displayed his frustration in the court documents. “The status quo is no longer tolerable, and Britney Spears will not be extorted,” a statement from Rosengart reads. The singer’s team is requesting that Jamie step down from his conservator position instead of attempting to slowly pay his way out. She adds that the court should suspend him from the conservatorship starting on September 29 should he refuse to resign.

This new development comes after Jamie said he would only step down from the conservatorship role “when the time is right.” He added that the “transition needs to be orderly and include a resolution of matters pending before the Court.”

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Mike Richards’ Tenure At ‘The Price Is Right’ Is Coming Under Scrutiny, Too, With Many Accusing Him Of ‘Dismantling’ The Show

A month ago few knew the name Mike Richards. (Unless they were talking about Cosmo Kramer.) A lot has changed since. Now he’ll forever be known as the obscure executive producer who spent all of one day on the job as Alex Trebek’s replacement hosting Jeopardy!, only to resign amidst an avalanche of scandals, and then get fired from his executive producer job as well. Reports about his past behavior continue to pour in. And a new piece from The Hollywood Reporter has uncovered shenanigans that allegedly went down when he was at The Price is Right — claims that could have spelled a much-changed version of Jeopardy!, had he remained there longer.

THR spoke with more than a dozen former staffers at The Price is Right, where he was first a co-exec producer and then executive producer and showrunner from 2008 through 2020. Richards stepped in shortly after the retirement of longtime host Bob Barker, and the portrait that emerges is of a meddling micro-manager who really wanted to be host, and who dismantled the show by getting rid of the old guard.

Not all recollections are the same, and some of the former staffers interviewed have nice things to say about Richards. Others allege slimy behavior that gibes with the questionable things he’d say on his old, recently exhumed podcast. One claims he was dicey with the show’s many models, whom he would “parade” around the stage during rehearsals. He even, they say, “polled employees about their attire and gave preferential treatment to some.”

Others told THR that when Richards came in, he undersaw the “dissolution of the close-knit work family that that preceded his tenure on the show.” He “cleaned house” of the Barker-era staffers, including showrunner Roger Dobkowitz, who had been there for 36 years and had won five Emmys while creating 18 of the show’s iconic games. Dobkowitz coached Richards when he auditioned for host, believing that that’s the job he ultimately wanted. Instead Richards took his job.

Richards also get rid of announcer Rich Fields, who was there for seven years, underseeing the transition from Barker to current host Drew Carey. “I was shocked that after treating Mike Richards as kindly as I did during the Bob Barker replacement auditions, that he came in as executive producer just months later and showed complete disdain for me,” Fields told THR. “There was a dismantling. Anybody who worked with Barker was cleansed from the show.”

He also made the job a lot less fun:

During Richards’ tenure, many lost benefits and paid hiatuses as Fremantle took greater control of the series. The envious schedule in which five episodes were filmed over four days each week, with staffers getting Fridays off, were tabled as Richards mandated everyone to come in on Fridays even though it wasn’t a filming day. Paid hiatuses — a staple under Barker — were also taken away and lavish holiday parties with performers like Frank Sinatra Jr. and KC and the Sunshine Band went away.

“People were there for decades because it was a great job. You were getting paid 52 weeks a year and working 30 weeks a year with the taping schedule,” notes a decade-long former staffer who was among one of the multiple departments that were eliminated under Richards and Fremantle. Says another ex-employee who recalled a tenure that she says left her feeling traumatized and nearly prompted her to leave the industry altogether: “It was s*itty management.”

Staffers also noticed a pattern in the Richards era of Price is Right:

“The staff he replaced the older staff with were all under 27 and we called ourselves the Brat Pack,” says a source who was hired by Richards. “We loved our jobs and loved our mentors and when they became disillusioned, we became disillusioned. When people would leave, they’d replace them with people who were loyal to Mike. It became a vicious cycle.”

There’s much more in the THR report, including that he tried to get higher-end brands — ones the show’s middle class demographic could never afford. When companies like Ralph Lauren, Tiffany, and Christian Louboutin turned them down, Richards allegedly had the prizing staff find the goods at outlet stores, prompting a flurry of cease and desist letters.

Richards eventually moved over to Jeopardy!, where he was ultimately conquered by his own hubris. But considering how much he changed The Price is Right, even if it was mostly behind-the-scenes, imagine what he could have done to America’s favorite brainy game show had he stayed longer.

(Via THR)