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FTX Finance Bro Sam Bankman-Fried Is Going To Have A Hard Time Streaming Football Games In Jail

When we spoke with former O.C. actor and current journalist crypto skeptic Ben McKenzie, he told us, essentially, that crypto bros aren’t as funny as they think they are. And while that might be true, FTX founder and accused fraudster Sam Bankman-Fried getting un-freed until at least October ahead of his trial qualifies as pretty funny, even if his actual actions are no laughing matter… well, okay, reportedly enraging a judge for accessing a VPN under the pretense of trying to stream the Super Bowl is legit hilarious. Being accused of witness tampering by way of leaking documents about your former girlfriend (who also ran your hedge fund)? Extremely not hilarious.

As you may recall if you’re paying attention to the ins and outs of this case and not just waiting for the inevitable dueling docuseries and limited series to catch up, Bankman-Fried was out on a quarter-billion dollars bail and on house arrest after being arrested in December. That arrangement included giving up his passport and submitting to have big expenses (anything north of 1K) subject to court approval. His parents also had skin in the game, leveraging their home so that their very special boy could keep breathing free air and eating Lunchables.

One would think with those limitations and stakes that Sam would stay out of trouble. But the fantastical way some of this era’s WWE-style rich folk villains — pre-packaged for the pop culture spotlight with their weird hair (ALWAYS) and immense appetites for power, money, and screwing around when trouble circles them always seems to make this kind of moment possible. And just a little sweeter when the great bug zapper of justice actually catches one, turning a fake money fail boy into the dictionary definition of judicial f*cked around and found out. Anyway, buzz buzz, Sam, hope you weren’t planning on watching NFL Sunday Ticket for kickoff season. Or at any point in the future.

Source: The Daily Beast

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Vanna White Will Reportedly Be Temporarily Replaced On ‘Wheel Of Fortune,’ For Possibly More Than One Reason

Would you like to buy a vowel? Well, Vanna White has left the building (for now). The keeper of the letters has reportedly been negotiating a raise, also reportedly her first pay bump in over 18 years, and she’s now reportedly being temporarily replaced (according to Puck via TV Line) by “Teacher of the Year” recipient Bridgette Donald-Blue. Those episodes will likely air in October.

White recently took time off after reportedly contracting COVID at the end of July, which has coincided with contract issues. After Pat Sajak announced he would step down as host at the end of the upcoming season, word surfaced that she apparently earned $3 million a season while Sajak was earning upwards of $15 million. How many vowels could you buy with that?

There have only been three other instances of White being absent from the series since starting in 1982. Once was in 1986 after the death of partner John Gibson, then again for two weeks in 1991 while White went on her honeymoon, then again the same year after getting sick. Nobody touches those fancy letter screens the way she does.

Meanwhile, Ryan Seacrest is adding another job to his already long LinkedIn profile and will host the game show after Sajak steps down next summer. Maybe that American Idol desk just isn’t as comfortable as it used to be.

(Via TVLine)

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Keanu Reeves Channels John Wick While Ripping A Bass Solo In Dogstar’s Latest Music Video

Keanu Reeves, star of the screen, stage, and the hearts of the American people, is out here doing just about everything that is presumably on his bucket list. He’s riding motorcycles with Norman Reedus, mastering car stunts, and even beating Nic Cage at billiards. What’s next on the man’s agenda? Ripping a sick bass solo, that’s what. He’s Keanu Reeves… the man can do anything he puts his mind to.

Reeves’ rock band Dogstar (not to be confused with the dog star of John Wick, Daisy) is gearing up to release their first album in over two decades, and their latest drop is a video for their Muse-esque track, “Breach.” Reeves dons a sleek Wick-inspired look, only this time instead of guns, the bass is his weapon, complete with an all-black ensemble and some greasy hair. This is real rock and roll, people!!!!

Does this mean that Reeves is one step closer to a Grammy? Probably…. not. But maybe! The band’s latest album, Somewhere Between the Power Lines and Palm Trees, is due out on October 6th. At this point, he might get a Grammy before he gets his (much overdue) Oscar.

On the other side of things, Reeves’ is also set to star in a live-action film series based on his comic book series BRZRKR. Between music, comic books, and movies, Reeves must be on the lookout for some more creative outlooks. Maybe another movie-musical is on the horizon.

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Even ‘Sesame Street’ Is Getting In On The Hip-Hop 50 Celebrations With B-Boy Grover, MC Elmo, And More

The 50th birthday of hip-hop is bringing out all kinds of celebrations, from the Yankee Stadium takeover in New York to a slew of “Hip-Hop 50”-related editorials from just about every publication that covers the genre (including Uproxx: Check us out here). Even the long-running children’s program Sesame Street paid homage with a tweet nodding to hip-hop’s global impact and artwork depicting the various characters engaging in activities like breakdancing, DJing, and rapping.

“Sesame Street celebrates 50 years of Hip-Hop,” it reads. “From music to dance and beyond, its culture and influence spans generations and crosses the globe. Join us in celebrating and honoring the originators, artists, and contributions of Hip-Hop. Hip-Hop Hooray!” In the foreground, a pair of fuzzy hands (likely belonging to Telly The Two-Headed Monster) scratches records, while B-boy Grover and MC Elmo entertain their friends Abby Cadabby, Bert, Cookie Monster, and new Muppet, Gabrielle.

The artwork is done by alt comics artist Ed Piskor, who is best-known for the Eisner Award-winning graphic novel series, Hip Hop Family Tree, which recounts the history of hip-hop through vibrant illustrations of pioneers like DJ Kool Herc, Fab Five Freddy, Beastie Boys, Slick Rick, Will Smith, and more. His expertise definitely lends authenticity to Sesame’s celebration of hip-hop, but the show has long had its “street” cred certified, with appearances from a slew of stars such as Anderson .Paak, Chance The Rapper, Common, Ice Cube, LL Cool J, MC Lyte, Queen Latifah, Warren G, and more.

Three years ago, Black Thought joined Jimmy Fallon to salute Sesame Street on its 50th anniversary (check out the video above), so it’s cool to see the show return the favor.

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Unoriginal Meatball Ron DeSantis Is Trying To Woo The MAGAs By Copying Trump’s Plan To Bomb Mexico

As part of his new tough-talking persona that’s already involved promises of slitting throats, wannabe strongman Ron DeSantis is now telling voters on the campaign trail that he’s “absolutely” willing to bomb Mexico. The moment happened during an appearance in Iowa where the Florida governor was asked if he’s open to executing drone strikes on Mexican cartels, and the now 25% more manly candidate latched right onto the red meat.

“We will absolutely reserve the right if they’re invading our country and killing our people,” DeSantis said. When later asked by NBC News to clarify his remarks, America’s most pugilist meatball doubled down on his fighting words.

“I said I would use whatever force we need to defend the country,” DeSantis responded regarding “We’d be willing to lean in against them, and we reserve the right to defend our country.”

If all of this talk of bombing Mexico sounds familiar, it’s because Donald Trump reportedly floated the exact same idea earlier this year.

“‘Attacking Mexico,’ or whatever you’d like to call it, is something that President Trump has said he wants ‘battle plans’ drawn for,” a source told Rolling Stone back in April. “He’s complained about missed opportunities of his first term, and there are a lot of people around him who want fewer missed opportunities in a second Trump presidency.”

Even worse, when other GOP members caught wind of Trump’s scheme, they were immediately onboard. Republican congressmen Dan Crenshaw and Mike Waltz introduced a bill “seeking authorization for the use of military force” so the United States could go to “war with the cartels.”

With DeSantis flouting the same plan, the top two candidates in the Republican primary have now made it a point toss around “war” in Mexico if they make into office. That’s a spicy meatball.

(Via NBC News)

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‘Barbie’ Brought Millions Of People Back To The Theater For The First Time Since Before The Pandemic

Greta Gerwig’s Barbie has made over $1 billion at the worldwide box office, but that might not even be the most impressive number associated with the movie.

A new survey from The Quorum, as reported by Puck, found that one in five Barbie moviegoers in America are “post-COVID newbies, meaning 22 percent either couldn’t recall the last film they saw in a theater, or it was the first film they’ve seen in a theater since the pandemic.” That means roughly nine million people made Barbie their first cinema experience since March 2020.

Barbie — which will cross $500 million at the domestic box office this weekend, putting it in the top 20 of all-time — might even get people to return to theaters more often. Might we suggest Killers of the Flower Moon?

We wanted to know how these people felt about their return to theaters. Among this subset of ticket buyers, 40 percent said the experience reminded them how much they love going to the movies, and that they would go more often. Another 45 percent said they would go more often, but that cost is an issue. Only 15 percent said this was a one-off experience. It would take another Barbie-like film to get them to go back.

Heartbreak feels good in a place this (a screening of Barbie).

(Via Puck)

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The Weeknd Says He’s All Done Doing Features Forever (Unless One Artist Decides To Return To Music)

The Weeknd has appeared on a number of other artists’ songs over the past decade or so. In 2021, for example, he guested on tunes from Rosalía and FKA Twigs. He also just popped up on Travis Scott’s Utopia. It looks like that’s coming to an end, though, as The Weeknd just announced that after one more song, he’s all done doing features.

On social media, he shared a clip from his August 9 concert at PGE Narodowy in Warsaw, Poland. In it, he speaks to the audience, telling them he’s about to perform an unreleased song called “Another One Of Me.” He added, “I just want to say: This is going to be the last feature I ever do ever in my career, so I’m going to perform it for you guys tonight.”

There’s one artist who could get him to return to features, though: The post is captioned, “the final feature… unless daft punk ever get back together.”

The Weeknd previously debuted an earlier version of the song on the Kiss Land episode of his Apple Music Beats 1 radio show Memento Mori. Another version later appeared, with vocals from Diddy, in a Beats By Dre advertisement. As a fan on Reddit notes, several different versions of the song have surfaced, including ones featuring French Montana, Belly, and 21 Savage. As for the final song, it is not clear when it will be released or who else appears on it. setlist.fm indicates the August 9 performance was the third time The Weeknd has played the song live, with the previous two instances also happening this month.

Meanwhile, Samra Origins, the coffee brand The Weeknd launched earlier this year, just partnered with Blue Bottle Coffee to launch Samra Origins Craft Instant Coffee, which press materials describe as “a limited-edition run of 100% Ethiopia Natural METAD Yirgacheffe Gedeb Chelebesa.” More information can be found here.

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Playoff Lessons: Mikal Bridges Is Learning To Adapt To Life As A Primary Scorer

In the first half of his first playoff game as a team’s primary scorer, Mikal Bridges logged the second-most shots of his postseason career with 16. By the end of the Philadelphia 76ers’ four-game dispatching of his Brooklyn Nets, Bridges hoisted 77 shots and averaged 23.5 points on 53.9 percent true shooting.

The 26 year old’s introduction to playoff basketball as an offensive pillar ebbed and flowed. His moments of stardom were balanced with moments of struggles and frustration. Philadelphia flung an array of coverages at him defensively. Brooklyn’s ancillary personnel were limited. Bridges witnessed all of this and rode the roller coaster of volatility. As he and the Nets approach his first full season commandeering the foremost scoring load, there’s much to glean and apply moving forward from those four playoff outings.

To open Game 1, the Sixers elected to lock and trail Bridges with Tobias Harris while keeping Joel Embiid in drop coverage. Brooklyn schemed many of his touches on the move and he took advantage of the defensive gambit en route to 23 points on 10-for-16 shooting before intermission.

His mid-range pull-up is the bedrock of his prolific scoring leap. He reminded everyone of that throughout the first round whenever Philadelphia failed to curb his airspace and chase him over the top of screens. Grant him room between ~4 and ~16 feet, and he’ll bury you. He’s a killer scorer if he finds his midrange groove and can render middling drop coverage a liability (not all of these clips are drop coverage, but the circumstances of drop coverage remain).

As the series progressed, however, the Sixers shifted away from lock and trail and drop against Bridges. The change began as quickly as the second half of Game 1 and played a significant role in him scoring just seven points on two shots after the break. They switched and trapped him more frequently and shaded strong-side help or stunted on his interior endeavors to exploit his tenuous handle and unthreatening burst. Harris top-locked him and twisted his rhythm ajar via physicality. Addressing that aversion to physicality will be vital.

Bridges wasn’t a lost cause trying to score against switches because he’s so adept operating off-balance. But he encountered far less vacant real estate to generate clean looks from midrange, which is a primary reason for his quiet second half in Game 1 and 47.5 percent true shooting over the final three contests. He has to become less susceptible to being mitigated by switches and let his off-balance shot-making be a feature not the norm.

Brooklyn must also build a roster better suited to expose defenses for trapping him. The lack of surrounding ball-handling depth hinders him as both an on and off-ball scorer. He should be empowered to blend the old and the new of his repertoire.

Growing as an off-the-bounce shooter beyond the arc would vary his pull-up attack and transition away from such reliance on the midrange for his creation. Following his move to the Nets, 9.5 percent of his field goals were pull-up threes during the regular season. In the playoffs, that mark perked up to 11.7 percent. Across 31 appearances with Brooklyn, he knocked down 40.4 percent (23-for-57) of his pull-up triples.

If the goal is to expand the possibilities within the midrange itself, tightening his handle and establishing more comfort probing inside or near the paint would broaden his options. Plenty of his drives spiraled against the Sixers because of well-timed stunts disrupting his handle and revealed an erratic “shot or bust” mentality. Refining his pacing and applying his sinewy, flexible frame to decelerate downhill without reaching a full stop would behoove his game.

It’s obviously much more arduous for a 6’6 wing to incorporate that probing prowess than guards. Yet the ability to snake ball-screens and survey the opposition while remaining a scoring presence — opening up the floor for shooters and rollers — would considerably elevate Bridges’ initiator potential. Methodical tempo and newfound handling of physicality can accomplish that.

The most encouraging part of his first-round showing was the real-time development. In the later stages of the series, he seemed to maintain a live dribble more often to preserve chances beyond a shot for himself. Although skip passes are still a pretty wobbly adventure that he must refine, particularly because the Nets tout plenty of credible off-ball shooters who occupy the corners, his willingness to get off the ball in a timely fashion evolved.

Streamlining those flashes of a wily cadence and patient playmaking into consistent sequences should be the priority. His chemistry with Nicolas Claxton and Cameron Johnson are boons as well, and I’m particularly intrigued to track the headway he achieves with Claxton next season.

I’ve long recognized some parallels between Bridges and Khris Middleton offensively. One of the relevant distinguishers, though, is Middleton’s face-up and mid-post scoring. Wielding the requisite footwork and release, he’s stable, potent, and at home there. I’m left wondering whether Bridges could integrate that into his wheelhouse as a means of creation. It’d station him in the midrange without demanding he venture there on his own or holster a live dribble.

Middleton’s strength advantage and shrewd use of his frame are currently the crucial differentiators. They circle back to Bridges’ discordance playing slowly inside the arc off the bounce and need to effectively brandish his size more regularly. If he could function in the midrange without spotlighting his creaky handle, that could quell some concerns. He struggles to leverage his frame and protect his dribble simultaneously.

This is his first offseason working through the lens of primary scorer responsibilities, which presumably warps his training habits and goals to prepare for a different role than prior years. He thrives off of midrange volume. Philadelphia curtailed some of his avenues to operate in the midrange. Maybe he embeds another dimension to produce from his haven.

In a matter of months, Bridges bounced from complementary role player on a team with title aspirations to star scorer on a team staving off the Play-In Tournament. That’s a monumental transition and one he, by and large, handled masterfully. The swiftness and challenge of the change cannot be discounted.

As a result, his playoff landscape was completely rearranged. He’d barely been afforded time to respond to regular season defensive adjustments as the focal point, let alone postseason alterations. The growing pains were expectedly harsh during the final 3.5 games of round one. Every tactic the Sixers employed should help inform how he adapts and continues diversifying his offensive portfolio in the coming years. The playoffs teach lessons. Bridges received quite the detailed, beneficial lesson across a week’s span this past April.

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Allison Russell’s ‘Snakelife’ Video Is A Declaration That, Above All Else, Self-Love Is The Ultimate Healer

Through her music, Allison Russell set out to purify the world one monstrosity at a time. In short, that’s the ethos of her upcoming album, The Returner, which is set to be released this September. On her previously shared single from the project, “Stay Right Here,” Russell paid tribute to the disco divas that paved the way for her music journey toward unity backed by an irresistible dance-centered production.

In her new record, “Snakelife,” enchanted with mixed of indie folk and alternative, Russell toward that empowering energy inward. As she sings, “I used to dream but now I write / I weave my words like spindles, right / To weave the words for every child / It’s safe in love / It’s safe in love / It’s safe in love / And Black is beautiful and good,” Russell is declaring that, above all else, self-love is the ultimate healer in a world designed to leave emotional scars.

For the accompanying visual, director Seck hones in on that actualization as Russell leads a pack of Black women through the weeds of the forest ending in a newly formed badass sisterhood. Watch the video for “Snakelife” above.

In addition to the new video, Russell also announced the dates for her upcoming The Returner Tour kicking off in the fall, all of which can be found below.

10/13/2023 — Ann Arbor, MI @ The Ark
10/19/2023 — Atlanta, GA @ Terminal West
10/20/2023 — Decatur, AL @ Princess Theatre
10/21/2023 — New Orleans, LA @ Toulouse Theatre
10/25/2023 — Austin, TX @ 3TEN ACL Live
10/28/2023 — Santa Fe, NM @ The Lensic
10/29/2023 — Phoenix, AZ @ MIM Music Theater
11/01/2023 — Los Angeles, CA @ El Rey Theatre
11/04/2023 — Mill Valley, CA @ Sweetwater
11/05/2023 — Grass Valley, CA @ The Center for the Arts
11/07/2023 — Eugene, OR @ Hult Center for the Performing Arts
11/09/2023 — Portland, OR @ Mississippi Studios
11/10/2023 — Bremerton, WA @ Admiral Theatre
11/11/2023 — Seattle, WA @ Tractor Tavern
11/13/2023 — Salt Lake City, UT @ The State Room
11/15/2023 — Boulder, CO @ Boulder Theater
11/16/2023 — Denver, CO @ Bluebird Theater
11/17/2023 — Aspen, CO @ Roaring Fork Sessions
11/29/2023 — Philadelphia, PA @ World Cafe Live
11/30/2023 — Brooklyn, NY @ Music Hall of Williamsburg
12/02/2023 — Katonah, NY @ Caramoor Center for Music and the Arts
12/03/2023 — Hartford, CT @ Infinity Hall Hartford
12/07/2023 — Cambridge, MA @ The Sinclair
12/08/2023 — Portland, ME @ Portland House of Music
12/09/2023 — Woodstock, NY @ Levon Helm Studios
01/11/2024 — Nashville, TN @ The Basement East
01/13/2024 — St. Louis, MO @ Sheldon Theater
01/14/2024 — Chicago, IL @ Thalia Hall
01/16/2024 — Grand Rapids, MI @ St. Cecilia Music Center

The Returner is out 9/8 via Fantasy Records. Find more information here.

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Woman shares eye-opening video of what a birthday surprise from an abusive partner looks like

Being in an abusive relationship isn’t typically something people flaunt around social media or their personal lives. Abuse can be difficult to recognize sometimes, even when you’re the one being abused, especially if the abuse isn’t physical. Emotional and verbal abuse behind closed doors while the abuser behaves differently in public can make you feel like your own perception can’t be trusted.

Lindsay Goodman reposted a video from January 2022, where she reveals the behind-the-scenes of a birthday surprise from her abusive ex-partner. Goodman’s birthday is August 10, and she has been reposting the video on her birthday every year to show her growth since leaving her partner.

Without the text overlay explaining what was going on, the birthday surprise seemed like an extremely sweet gesture filmed from the ex-partner’s perspective. The original video has over 2.2 million likes and more than 13.4K comments on TikTok.


In the video, Goodman rounds the corner smiling, seemingly nervously as she sees her ex-partner filming her.

“Coming home from doing an activity alone because your partner didn’t want to go,” the text on the screen says. “Confused that they actually did something for you. Trying to look happy and thankful, but suspicious at the same time.”

Goodman also includes little notes in the corner of the screen that explains she’s nervously eating berries and the flowers she’s holding are ones she bought for herself. She reveals that she isn’t sure if her partner will remain nice after the camera stops or if this will be the last time they’ll be nice for a while.

The video ends with Goodman blowing out the candle on her cupcake, still smiling and nervously eating berries. Her short, vulnerable post proves that all abuse doesn’t look like bruises and cop calls. Sometimes it looks like outward smiles while you’re internally terrified for the moment to pass.

Watch the powerful video below:

@lindsaygoodmancoaching

I’ll take 50 bdays alone over this. #narcabuse #traumabond #youareworthy #wlw #lesbian #latebloominglesbian #happybirthday #healingtiktok