As the coronavirus pandemic remains ongoing, James Corden, like other late-night hosts, in continuing to put on an at-home edition of the show. On last night’s The Late Late Show, he was joined by Liam Payne and Alesso, who shared a quarantine video they made for the collaboration, “Midnight.” Before that, though, Corden chatted with the pair, and he asked Payne about some potential upcoming activity from One Direction.
Corden mentioned that this summer will mark the group’s tenth anniversary and asked, “Are there plans afoot for you guys to do anything special to celebrate this milestone?” Payne answered, “I’m not allowed to say too much, obviously, because I’d be giving it away. But we’ve been speaking a lot more at the moment. I think that we’re all feeling that that ten-year [anniversary] is a very special moment.” He also noted that he has spoken with Niall Horan and Louis Tomlinson recently and added, “Yeah, it’s been really nice, it’s a nice moment.”
While the group’s members have moved on to their solo careers, they haven’t entirely left One Direction behind, as Harry Styles proved recently when he performed one of the band’s hits.
Watch Payne and Alesso on The Late Late Show above.
Warner Bros.’ Dune recently revealed a first look at Timothée Chalamet in Denis Villeneuve’s epic reboot, so get ready for more. This project, of course, arrives decades after David Lynch famously had his name removed as director of the 1984 film, which sputtered into cinemas after Alejandro Jodorowsky’s 1970s take failed to materialize. Now, an expansive Vanity Fair feature drops even more looks at the cast. At this link, you can see Oscar Isaac, Zendaya, Jason Momoa, Josh Brolin, Rebecca Ferguson, Javier Bardem, and more as Villeneuve reveals that this movie will only explore the first half of Frank Herbert’s 1965 novel. So, we’ll see a Chapter Two at some point, with details to be further announced. That might not be 100% wonderful news for Chalamet, whose experience with the costuming aspects in this movie sounds not-so-enjoyable.
To capture the feel of the dust-dry planet of Arrakis, Villeneuve and crew shot outside Abu Dhabi in the United Arab Emirates. So, temperatures were above 100 degrees Fahrenheit at all times, and while we’ve got no sandworm details here, Chalamet’s costume talk sounds not unlike what we’ve heard from actors who play superheroes in MCU and DCEU movies. It sounds like those life-sustaining “stillsuits” from the book (which are designed to help preserve human moisture) worked the opposite way on set:
“The shooting temperature was sometimes 120 degrees. They put a cap on it out there, if it gets too hot. I forget what the exact number is, but you can’t keep working… “In a really grounded way, it was helpful to be in the stillsuits and to be at that level of exhaustion.”
Generally these days, costumes like the one Chalamet is describing come with cooling systems, although there’s no telling if that was the case on Dune. Even if that type of system existed here, though, it’s easy to imagine that shooting in the desert would be a grueling experience. And Chalamet’s role as protagonist was probably challenging enough, given that Paul Atreides is gifted with some supernatural touches, and he’s uprooting from a lush home planet to the bone-dry Arrakis, where House Harkonnen has no room for House Atreides moving in on the spice-mining market.
The Vanity Fair photos do reveal a gorgeously-shot set and cast, although it’s slightly disappointing that we’re not seeing Stellan Skarsgård as the monstrous Baron Vladimir. As Skarsgård told Uproxx last year, his role was heavy on the prosthetics. “It says in the script that he weighs 300 pounds, and I can’t gain that much weight and survive,” he gamely told us. “So they’re creating a body that they will have to glue on me. It will be prosthetics all over.” That’s gonna be something to behold, alright.
Dune will also star Dave Bautista, whose character is still under wraps, but hopefully, we’ll see him before the movie’s planned December 18 release.
Quibi, the new streaming service from Jeffrey Katzenberg and Meg Whitman, launched a week ago and will steadily drop new TV series and movies-in-chapters. Even though the service’s premise seems simple — quick bites of content in 10-minutes or less — that doesn’t make the continued roll out less confusing. We’ve dug into whether Quibi’s worth it and also looked at the best-and-weirdest-looking projects (including revivals) that the service has to offer. Aside from the comedies, cooking shows, and sports-related offerings, you might be wondering whether the flagship horror project from Evil Dead maestro Sam Raimi lives up to its pedigree by offering genuine scares, or not.
A bite-sized series begs for a morsel-sized evaluation, so here we go: so far, I’m really liking 50 States Of Fright! Granted, Quibi’s playing things close to their sleeve by only releasing a few episodes to critics at a time, so I can’t predict whether the whole season (of an anthologized series that dances though different directors and actors for each story) will be consistently excellent. However, the show from Gunpowder & Sky’s horror brand, ALTER, makes a strong start with the Michigan-based “Golden Arm” story, which should get folks in the door for more.
This is a brutally efficient story. The whole thing takes place over roughly 30 minutes. Done and done. And if this story’s any indication of what’s to come, the show’s taking its Quibi niche seriously. Sam Raimi’s not simply branding his name as producer onto this project. He also directs “Golden Arm” (and co-writes with his brother, Ivan Raimi), which acts as a cautionary tale to those who’d like to see a fairy tale come to life.
Quibi
The basic setup here has a ball with the trope of horror characters making objectively dumb decisions. We’ve got a married couple, Rachel Brosnahan (The Marvelous Mrs. Maisel) as Heather and Travis Fimmel (Vikings) as Dave, doing those stupid things. She’s the toast of their small town, and he’s placed her on a pedestal, which includes digging himself into a hole to support her expensive tastes. As narrated by Andy, who’s portrayed by John Marshall Jones (he’s everywhere now, from The Curse of la Llorona to Bosch), Heather and Travis sprint head-first down a dangerous path.
I don’t want to spoil this story, but the title itself reveals that there’s a golden arm, front and center. That makeshift limb comes into existence through the weaving of a twisted fairy tale, and let’s just say that the Raimis have mined the terrifying depths of human weakness to get there. Dreams come true at a terrible price and deliver an ultimate warning that will stick with the viewer. Further, the story gives and takes in all the right places and somehow accelerates and winds down the story with a pitch-perfect pace. It’s damn fine stuff and the right amount of scary, even while delivered onto smart-phone dimensions. The bite-sized concept also allows the three chapters to end at chilling moments, when I genuinely looked forward to seeing what was to come.
However, the manner in which Quibi’s releasing 50 States Of Fright is, well, complicated to describe. The structure of this anthologized project places each story in a different state, where the audience can dive into horrors that can be found “just beneath the surface of our country.” With most of the stories, three episodes will form each story, and only one episode will drop daily. Suspense sounds like the name of the game for this show, but Quibi’s feeling generous enough with “Golden Arm” to release all three parts of this first story at once: on Monday, April 13.
50 States Of Fright will eventually feature Christina Ricci, and over the next few weeks, the show will release these installments:
– The Oregon folklore-based story, Scared Stiff (written and directed by Ryan Spindell, starring James Ransone and Emily Hampshire)
– The Kansas tale, Ball of Twine (directed by Yoko Okomura and starring Ming-Na Wen)
– The Minnesota story, Grey Cloud Island (written and directed by Adam Schindler Brian Netto and starring Asa Butterfield)
– The Florida tale, Destino (written and directed by Alejandro Brugués and starring Danay Garcia)
Eventually, we should see all 50 states from this show, if it survives long enough to cross the whole country. And if the first tale is any indication, the show will retain enough subtlety to not make the Oklahoma story about thrill-seeking vampires hitching rides on tornadoes. Although — let’s face it — I’d probably watch that, too, after digging the Michigan-based “Golden Arm” from Sam and Ivan Raimi.
Quibi’s ’50 States Of Fright’ is currently streaming the ‘Golden Arm’ episodes.
The Strokes’ new album, The New Abnormal, was released a few days ago, and Julian Casablancas is being candidly realistic about it. Most artists default to comparing their new work favorably to their most esteemed output, but in a recent Los Angeles Times interview, Casablancas said The New Abnormal isn’t his favorite Strokes album.
Casablancas was asked, “How do you think of this record in relation to the Strokes’ others,” to which he responded, “I don’t.” From there, he said, “It’s my fourth favorite record I’ve ever been a part of.” When pressed for more, he ranked the first two Strokes albums, 2001’s Is This It and 2003’s Room On Fire, above it. He continued, “…and then maybe… you’re gonna get me in trouble. Let’s leave it a mystery.”
Between The Strokes, The Voidz, and his 2009 solo record, Casablancas has made nine albums, which would place The New Abnormal in the middle of the pack in Casablancas’s eyes.
Casablancas also revealed that he’s not exactly heartbroken about not being able to perform live right now, saying, “People are like, ‘Oh man, you’re not able to tour!’ I’m like, ‘That’s a bad thing?’” Additionally, he said the band considered postponing The New Abnormal, but decided not to (of course, since the album is out now): “The idea came up, I suppose because we can’t really promote it. But it didn’t seem worth postponing.”
By now, you’ve undoubtedly heard it what seems like 1,000 times. The ubiquitous, inescapable, and ridiculously relatable 15-second clip that has soundtracked the social media posts of antsy teens, adults, rappers, actors, and athletes for the last month. “Bored In The House” is the quintessential quarantine anthem, perfectly summing up the national mood after weeks of being indoors, binging the utterly bonkers Tiger King, and avoiding human contact.
The song is the brainchild of a 20-year-old rapper from Detroit named Curtis Roach, who had already been building a buzz with smart, upbeat, optimistic projects like Overly Caffeinated, Lellow, and Luv Bug. But after uploading a video to TikTok of himself ad-libbing a catchy refrain about — well, you know — while banging out a beat on his table, his name and voice are now all over the internet, taking over TikTok, Instagram, Twitter, and even Facebook.
Uproxx called Curtis up for an insightful chat about his burgeoning viral fame, wild television, and how he got West Coast rap titan Tyga to turn his social media post into a legit hit record.
Before you got bored enough to start banging on a table, what were you doing to keep busy on your self-quarantine experience?
Well, first off, I made that before the self-quarantine. I didn’t know that that was about to happen. I always been a homebody for real, so this is super easy. This is light work but to keep myself busy, I really been working on music, drinking my water, watching as much movies as possible to get inspired, and listening to my favorite songs and writing down on paper, too. I think that’s also been helping me through all the madness. How about you?
Oh, same old same, man. Binging TV shows. I think I’m about to start working my way back through Parks And Rec. I know you’ve seen Tiger King. What did you think?
Yeah. After watching it, honestly, the first thought was, “Why did I watch that?” After that, it was like, “Why was I so intrigued?” I thought it was kind of entertaining overall, but it’s just like… I don’t know. All of that combined with what’s going on, it feels like a big old distraction but I know that it’s good to have that relief.
Let’s talk about Luv Bug.
I spent the last two projects really trying to exercise my ability as an artist to push the envelope in a way. With Lellow, I was working on solid rap songs that were just enough to catch the attention, had the lyrical content, and have it just be a nice little EP that everybody can run to.
Then, I did a November series and it was like “La Da Da,” “Marry Jazzy,” and “Python Soup” and that was just me experimenting with showing off my voice and letting people know that I can sing and create these cool little melodies and vibes. Then with Luv Bug, that was when I was full into my love bag because I feel like I don’t have that many love songs. I’ve put out “Frida” in the past and “Spectacular” but with Luv Bug, I wanted to really show people, “Hey, I’m not just a rap rap type person, I can also do other things, I can be a full-on artist.” That’s what I really wanted to display with Luv Bug. This next project, I want to morph all of that, have all the lit songs, all the slow songs, and have it be like a perfect collage or a mosaic of just me.
I’m looking forward to that. I guess we’ve got to address the elephant in the room, “Bored In The House.” You banged on the table a little bit and you uploaded it to TikTok and it went bananas. What was your first thought when you saw somebody like Chance The Rapper was playing your song on his Instagram?
Dude, it’s unreal. That was crazy for me, seeing how impactful this video, this 15-second video, has been to the culture right now is crazy. Every time, when I go on Twitter, it’s a new video of a whole family in quarantine that’s just “Bored In The House.” That’s just the coolest part about it, we all are feeling this right now. We’re all in the same situation. It’s good that people are using this time to just dance and have fun on TikTok and make videos. Especially like Chance The Rapper, KeKe Palmer, and so many celebrities that’s done it, but it’s just wild to see. We’re all connected through this.
That’s dope. Actually, speaking of TikTok, what made you jump on the TikTok wave and can you explain what makes TikTok so appealing? What makes it so impactful for this generation, especially for your generation because it goes over my head (this is sarcasm; I did a whole piece about TikTok here).
Yeah man. I started back in September of 2019 and it was really awesome. Everybody was telling me about it. My manager was one of the first people to tell me about it and he was just like, “Yo, you should make a TikTok because you’re funny and you got a dope personality. You be making all these funny videos on your Instagram and stuff.” My cousin was talking about it, my friends were talking about it, and I’m just like, “Eh, I don’t even know.” But I joined TikTok, I had zero followers and I was just like, “I don’t know how to use this.” Everybody was putting dance videos up and I can do that as well, but I just prefer to do my own little thing. I was always putting little funny videos up, so I just was like, “I’m going to just put all those on TikTok.” I was flooding it for a good three weeks, just videos every day and a couple of videos started catching heat. It was a lot of people noticing like, “Oh, this guy’s funny.”
It started growing and growing ever since. The “Bored In The House” [sound], when I first dropped that, I had 40K followers — which is a lot — but after that, it shot up like crazy. It’s been cool because I feel like it’s a platform where you can be free to post anything. You don’t have to wait until 3 p.m. to post something like you’re doing on all your other social media. It’s not a strategic thing. You just have fun with it. There’s people with 20 followers that post every day just because it makes them feel good. People just dancing in their rooms, having the time of their lives. I think that’s what’s the coolest part about TikTok, everybody is on there and everybody is really carefree with it.
Absolutely. How did the Tyga thing happen? How did that increase you attention where now you have all these people checking for you, looking for you, hitting you up, tagging you and everything. Have you felt like, “Let me turn my phone off” or how has it been for you?
At first, I was like, “Oh my God, this is overwhelming.” To answer the Tyga thing, basically, when he first did the TikTok, he went to my page and then he followed me and he hit me up and he was like, “Yo, you’re dope man. You have some cool music… we should definitely do something because you’ve got dope vocals and stuff.” When we finally sent the vocals of it, it took us a day and he was like, “Yo, you got a dope voice, people need to hear this, this is something that needs to happen.” And so, badabing badabap.
That’s really the cool thing about this whole situation with TikTok, to answer your last question, getting all this attention. I’m not just the “Bored In The House” guy, people are like, “Yo, you’re Curtis Roach, the guy who made ‘Bored In The House.’” People really actually liked the music. I feel like this is a good way of transitioning into people getting to know me. I’m really thankful for all the attention and I’m glad that people are messing with the music, especially Tyga. I don’t think he would’ve done it with me if I was trash or anything. I’m glad we got a real good record out of it.
That’s incredible. What’s next man? How do you capitalize on that sort of buzz when it’s something so big like that? Do you drop another song? Do you drop a video? Are you going to quick-strike an album? How do you follow up and make sure that the Curtis Roach name just rings off and stays strong?
Yeah. Well, that’s all I’ve been thinking about and what I’ve been doing. At first, when it started going crazy that first day, I was like “Oh my God.” I froze up because I was already in the middle of working on another project, so when all this started blowing up and the song came out, people are starting to hear me in a different tone. There’s a lot of people who didn’t know that I can go off of beats like this. It altered my next project because I’m definitely experimenting with my sound still but with this, I’m trying to give them all the heat. I’m trying to definitely tap into that back. Just know that Curtis Rose 2020 is lit.
Tory Lanez’s Quarantine Radio livestream has rapidly become the place to be on weekday afternoons as the Canadian star hosts an unpredictable show full of guest pop-ins and NSFW shenanigans. For proof of that fact, look no further than yesterday’s surprise guest: The recently-released Tekashi 69. 69 called in and joined Tory’s video chat from home confinement and make a few jokes about snitching.
It’s pretty clear Tekashi has seen all those memes about himself, despite being on lockdown for most of the past year. It doesn’t seem like being the butt of jokes bothers him all that much, either, which makes sense given his willingness to dye his hair into a rainbow and tattoo “69” all over his body for attention. So it should come as no surprise that when he popped up, he started out making “snitch” jokes almost immediately.
“Lemme play this new shit or ima snitch on u,” he wrote in the comments. “”You not even from America u from Canada.” The two artists previously collaborated on the song, “Kika.”
6ix9ine tells Tory Lanez to add him to the live to play some new music or he finna snitch on him pic.twitter.com/s8qwo3BSLK
Tekashi previously joked about snitching on people violating coronavirus stay-at-home precautions, writing “Coming to the rescue” in the comments of a post about Los Angeles’ Mayor Eric Garcetti offering rewards for reporting businesses violating LA’s order to stay in.
Tekashi, of course, is now notorious in hip-hop for being a “snitch” after cooperating with federal authorities in the racketeering case against the Nine Trey Bloods in exchange for less time on his sentence. He was released to home confinement earlier this month, as his asthma put him at risk in the case of a possible coronavirus outbreak in the New York detention facility where he was serving out his sentence.
Officially, Escape From Virtual Island is an Audible Original and a scripted audio-only comedy podcast starring Paul Rudd and a collection of familiar comics and comic actors. If you’re familiar with the way back, though, it sounds a bit like an old-time radio play, with the voice actors falling into a diverse collection of characters and both the score and sound effects helping to transport the listener. Pretty neat! It’s also the kind of thing that feels like it might be the start of a trend with everyone aching to feed the distraction needs of the public while also becoming industrious with closet podcast studios and the like here in Isolationville.
Of course, Escape From Virtual Island was conceived and recorded before things broke bad, but it does posit an existence where virtual reality resorts are real things that can propel your mind to a host of adventures. For better or worse, as the characters find out while dealing with a freshly sentient supercomputer and a missing guest on an island resort/virtual travel base of operations run by Rudd’s character, Derek Ambrose. And to be honest, that still sounds more fun than going on a cruise right now.
To help us imagine a future where virtual travel is real (and to celebrate the release of Escape From Virtual Island on Audible, of course), we polled Rudd, his castmates Amber Ruffin (Late Night with Seth Meyers), Jack McBrayer (30 Rock), and Paula Pell (A.P. Bio), as well as writer John Lutz (Saturday Night Live) and director Peter Grosz (The President’s Show) on what they think about a future with virtual travel and where they’d want to go. Unsurprisingly, the answers ran the gamut from sincere to silly… and little concerning. (Is Jack McBrayer capable of murder or does he just need better friends?!)
Does the prospect of this kind of virtual travel excite you or does it freak you out a little?
Paul Rudd: As long as it doesn’t involve going through airport security and having to take my shoes off, I’m for it.
Peter Grosz: I think, no matter what, it’s probably going to happen. In sci-fi, there’s always a little bit of future prognostication in a lot of that. If you look at some of the best pieces of sci-fi, then some part of it has come true. Even back to HG Wells a hundred years ago. So I wouldn’t be surprised if this is available sooner than we think.
John Lutz: I kind of feel like virtual reality is going to be fine. The way that video games are fine if you aren’t one of those people who are super addicted and they become your full life. The whole point of the story was basically the things that happened in the real world are always going to be more important than anything you do in the virtual world.
Jack McBrayer: I like it. I think it sounds fantastic. It’s less scary and you can act however you want. Like there are many places where you can just really say whatever you want, wear whatever you like, but in a place you made up, there can’t possibly be any judgment. They can get in there and freak out.
I mean, you’re kind of describing the internet now, basically.
McBrayer: That was all Twitter. I have to say. I would watch Westworld with a buddy of mine and I enjoyed it very much. But then the discussion turns to if you could go to Westworld, would you rape, pillage, shoot, kill, steal? Would you do all these things? And he was like, “Absolutely. Because I know that they’re robots, I know that nobody’s getting hurt.” But for me, the argument was that at what point does curiosity outweigh empathy? Because yeah, they are robots, but they look, sound, and act exactly like human beings. So are you okay acting on those desires? Even though the consequence for them is nil, but at the same time, you’d have to go to sleep at night knowing that, I just shot, this victim or whatever it was. So that’s where I’m kind of still on the fence with it. Don’t get me wrong. There are virtual reality games where you can like into the shark cage underwater. That is fun to me because I’m like, I wonder what that would be like without actually having to do it. So that’s where curiosity works for me.
Amber Ruffin: Who in the world is your friend who wanted to go to Westworld and beat the crap out of everyone? That’s not good for you and you deserve better friends.
McBrayer: It did open up a conversation because why do other people watch Westworld? Why do the people on the show go to Westworld? Like they really do just want to shoot people, tell me I’m wrong.
So murder is the line for you?
McBrayer: Murder is a line for me… in virtual reality. In virtual reality, make sure you add that part.
What kind of virtual reality adventure would a supercomputer spit out for your personality?
Paul Rudd: One where I got to explore the depths of the ocean as well as the entirety of outer space. Oh, and I’d check out a Beatles recording session.
Paula Pell: I think I would enjoy a virtual thing if it was like you’re in a room with one hundred puppies and they’re all coming at you and it’s just like cheese and puppies. It’s just cheese and some crusty good bread and some puppies. My fiancee and I are both extremely obsessed with animals and wanting as many as we can pile on top of ourselves like a weighted blanket with faces. And we just love that. That’s my favorite thing on Earth. And so it would definitely involve some sort of animal sanctuary.
Jack McBrayer: Mine would be The Container Store. Everything is orderly, it smells good. It’s clean. I’d go to The Container Store in a heartbeat. That’s what I’m missing most about this pandemic.
Amber Ruffin: What? That’s your favorite store? Sorry, there are so many more beautiful things in the world.
McBrayer: You don’t know me.
Amber, what about you? Bed, Bath And Beyond?
Ruffin: [Mine] would be Disneyland. I would want to eat up the food that I shouldn’t be eating and go on rides.
That sounds pretty good. No disrespect, Jack, but that sounds a little bit better than The Container Store.
McBrayer: How dare you, sir. I was a national treasure. Was.
John Lutz: I would probably be flying in the Millennium Falcon eating dry-aged prime rib and drinking a martini with Chewbacca. I think it’d be fun to see if I could try to figure out he’s trying to say. He loves meat. I mean, he got caught in that net cause he’s always thinking with the stomach.
Peter Grosz: I was thinking more like some sort of idyllic beach vacation where it’s like constantly the end of the day at the beach, like the sun is kind of shining sort of low in the sky and it’s a little bit cooler than the heat of the day. So you don’t have to worry about sitting there for a long time and getting burned. You don’t have to like turn over every five minutes like a rotisserie chicken. You just sit in the nice chair, get a good braise. I would be in that moment for a week while people fed me chicken parmesan and macaroni and cheese and barbecue and collard greens and stuff like that. And I would have a Manhattan that was the size of a baby pool.
You wouldn’t want to do a beach on another planet and spice it up a little?
Grosz: At this point, my fantasy would be like going on the subway and touching the pole, walking to the grocery store, touching a subway seat, giving a hug to a friend, getting into a fight with somebody in my car about the way they are driving. I would love to do that.
You can download ‘Escape From Virtual Island’ on Audible now.
While most wrestling programs were either on hiatus or trying to make things work without an audience, Fite TV started airing what might be perfect weekly wrestling show for this pandemic, The Gatoh Move Experience. Shows from Emi Sakura’s promotion Gatoh Move – filmed back when it was completely fine to gather in groups – are set to air for free on Fite on Tuesdays at 6 PM Pacific/9 PM Eastern, and their style of wrestling might be just what everyone’s quarantined brain needs.
Though Gatoh Move’s events rarely have audiences of over a hundred people, it has developed an international reputation. Over the past year or so, more eyes have been drawn to the promotion by Sakura and her protégé Riho performing for All Elite Wrestling, and gifs and videos from Gatoh Move matches (especially ones featuring LuLu Pencil) being shared around on the wrestling internet. The company has also gotten more exposure through a relationship with UK women’s promotion Pro Wrestling EVE, and by hosting guest stars with their own fan bases, including Kenny Omega, Chris Brookes, and recently Minoru Suzuki.
Gatoh Move began in 2012 in Thailand, but its home venue is now in Tokyo at Ichigaya Chocolate Square, a small performing space (the people watching the show through the window are actually watching it from outside in an alley) that’s as much of a character in the world of Gatoh Move as New York is in Sex and the City. The venue contributes to the show’s friendly, cozy atmosphere; the audience seated around the brightly-colored mat is a visual reminiscent of preschool and indie theater.
The first episode of the Fite series shows a Gatoh Move event from December 30, 2018, and after a song from the roster, it kicks off with a match between the newcomer An Chamu and the veteran Riho, a few months before she left Gatoh Move to join AEW and make Stardom her new home promotion in Japan. It’s followed by another vet vs. rookie matchup: Saki vs. the energetic Mei Suruga, who in 2020 is probably the ace of Gatoh Move. After these two pretty straightforward singles matches, the main event is a more comedic intergender fight, Hyakkin Thunders (Emi Sakura and DDT’s Masahiro Takanashi) and Baliyan Akki vs. the superhero team of Mitsuru Konno, Sawasadee Kamen, and Sayaka Obihiro.
Each of the matches has its own tone, characters, and story, but one uniquely Gatoh Move thing they have in common is how the wrestlers utilize the environment of Ichigaya Chocolate Square, using the open windows and the wall similarly to how wrestlers use ropes in regular rings. Less often, the lack of ropes or any other barrier between the wrestling space and the fans means that performers make contact with the audience – but only intentionally, and during some sequences you can’t help but be impressed that they don’t bump into the spectators more.
The Gatoh Move Experience ends in an even more friendly, less traditional way than it begins, with the wrestlers passing out cups of tea to the audience and chatting with them (mostly in Japanese, with English subtitles.) Wrestlers being wrestlers means they obviously hawk their merch, but the roster also updates the fans on what they’ve been doing in their careers and what they have coming up, sometimes with promos thrown in. In this episode, the group celebrates two special occasions during this part of the show: Saki’s sixth wrestling anniversary and Gatoh Move’s last event of 2018, which prompts the company founder to give out end-of-the-year Sakura Awards.
During this segment, Suruga tells some audience members from overseas in English that “Gatoh Move is like a family, so you are my family.” The Gatoh Move experience isn’t quite that intimate through a screen, but the warmth and creativity of the promotion Sakura says promotes a “joyful kind of wrestling” is easily felt. In a time when people are cut off from their communities, it’s that friendly atmosphere, along with the promotion’s fun matches and charismatic performers, that might make The Gatoh Move Experience the ideal wrestling show for the social distancing era.
There are four days until the 2020 WNBA Draft and excitement levels are high for this year’s very talented class of prospects.
The WNBA is one of the hardest leagues for players to enter and stay in — sometimes especially for rookies. Each of the WNBA’s 12 teams have a roster minimum of 11 players, and most opt to sign a 12th player for flexibility and in case of injuries. That makes for just 144 roster spots in the entire league. And if that wasn’t enough, unlike the NBA, the WNBA does not guarantee contracts for first-round picks, meaning that teams are able to cut their first-round picks even before the season tips off.
Oregon superstar Sabrina Ionescu leads the pack in this year’s draft class, but questions remain about the remaining 11 spots. Also, what will the Dallas Wings do with all four of their first round draft picks?
The 2020 WNBA Draft will be happening virtually on April 17, starting at 7 p.m. ET on ESPN. Aside from who gets picked, a lot of uncertainties surround the league due to the spread of the coronavirus. The 2020 WNBA season is currently on hold after training camp, scheduled to start on April 26, and the first games of the season on May 15 were postponed indefinitely. If the season ends up being canceled completely, these draftees may not see the floor until 2021.
Without further ado, here are our picks for the first round of the 2020 WNBA Draft.
1. New York Liberty — Sabrina Ionescu (PG, Oregon)
The New York Liberty hold the No. 1 pick for the first time in the team’s history, and they have likely never been more excited. With the hiring of Walt Hopkins as head coach and a long-awaited proper home in the Barclays Center, the team is hoping to usher in a new age of progress after a couple years of mediocrity.
When and if the Liberty select Ionescu in the draft, there will be a lot of pressure on the young guard to help turn this team of solid young players into something great. But if anyone can do it, it’s the 22-year-old sensation who never backed down from a challenge at Oregon and embraced the spotlight.
2. Dallas Wings — Satou Sabally (F, Oregon)
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Another Oregon superstar, Satou Sabally is a magnificent talent in this year’s draft and a player many teams in the league would like to have. The Oregon junior announced her intent to go pro in February, and she averaged 15 points while shooting 39% from beyond the arc, six rebounds and two assists per game this year. She also boasts some high-level defensive ability, and was in the top three for Oregon in blocks and rebounds this season.
The Wings drafted guard Arike Ogunbowale last year and started to build around her, but it is hard to see them turn down Sabally. In fact, the 6’4 forward, with her guard-like ball handling and scoring ability, could even be the perfect complement to Ogunbowale and help take off some of the offensive load. Following Skylar Diggins-Smith’s exit in free agency and the team’s last-place finish in the West last year, the Wings are looking to rebuild by scooping up all the young talent they can in this year’s draft.
3. Indiana Fever — Lauren Cox (C, Baylor)
ESPN has Lauren Cox going second in the draft over Sabally, but most other experts think she’ll go to Indiana with the No. 3 pick. Also 6’4, Cox is an elite defender, averaging three blocks and one steal per game this season.
Questions have been asked about her health — Cox missed eight games this season with a stress fracture in her foot — but she can help any team in the league. This season, Cox averaged 12.5 points and 8.4 rebounds, winning Big 12 Player of the Year and leading the Lady Bears to the conference’s regular-season title for the second year in a row.
The Fever have a strong frontcourt presence in Teira McCowan at center — Cox has experience playing with 6’6 big Kalani Brown at Baylor last year — and by adding Cox, they would only get stronger. With a potential starting lineup of Erica Wheeler, Victoria Vivians, Candice Dupree, McCowan and Cox, Indiana looks like a playoff team.
4. Atlanta Dream — Chennedy Carter (G, Texas A&M)
A very high-usage player for the Aggies, Chennedy Carter is a solid shooter who isn’t afraid to let fly but she’s also shown an ability to create her own shot off the dribble. The three-time All-American led her team in points per game with 21.3 this season, although she did so on 45% shooting and just 29% from three-point range. Known mostly for her ability to get a bucket, her passing skills are still flying under the radar.
Not yet a very efficient shooter, Carter does have the kind of heart and intensity that a player needs to succeed in this league. The Atlanta Dream have assembled an almost brand new cast this offseason, with the additions of Courtney Williams, Shekinna Stricklen and more. With all the talent they brought in, they still need some depth at the point guard position, which Carter can provide. Atlanta would do well to have Carter as an offensive-minded sixth woman who can certainly score, but also thrives in creating shots for others.
5. Dallas Wings — Megan Walker (F, Connecticut)
Along with the No. 2 pick, the Wings also hold the No. 5 pick (and the seventh and ninth slots, too). Coming off her best season with UConn, Megan Walker is a strong shooter — especially from beyond the arc. This season, the junior averaged 20 points per game, shooting 48% from the field and 45.1% from three-point range.
Last season, the Wings attempted only 23 corner threes and shot just 32.7% from mid-range. Walker would provide an immediate improvement for Dallas’ shooting and, at 6’ tall, she can slot into the Wings’ lineup in different positions.
6. Minnesota Lynx — Tyasha Harris (G, South Carolina)
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Playing for the electric South Carolina Gamecocks, Ty Harris averaged 12 points, 3.5 rebounds and 5.6 assists per game this season. These aren’t astronomical numbers, but Harris was playing alongside scoring talents like Zia Cooke and Aliyah Boston. Harris is very adept at finding her teammates and she has steadily improved her shooting year after year. Lynx head coach Cheryl Reeves can surely see her strong defensive instincts and shooting potential and develop Harris further.
The Lynx saw mainstay Seimone Augustus leave in free agency and saw main target Diggins-Smith go to Phoenix. Maya Moore is still not returning, Sylvia Fowles is reaching the end of her career and Odyssey Sims is reportedly pregnant. Minnesota needs a strong point guard to lead the floor alongside Lexie Brown and 2019 Rookie of the Year Napheesa Collier, and Harris can be that player for them.
7. Dallas Wings — Te’a Cooper (G, Baylor)
Te’A Cooper is a solid combo guard who can shoot the ball. This season, she averaged 13.6 points, 2.3 rebounds and 4.6 assists. She played for three different schools throughout her college career, but really found her footing at Baylor, helping them win the Big 12 while shooting 41.5% from beyond the arc.
At 5’8, Cooper is slightly undersized but she’s lightning quick and can help the Wings get buckets alongside Ogunbowale. Dallas’ Moriah Jefferson is also coming off an injury and hasn’t played since 2018, and Cooper can help make her return smooth by taking some minutes and carrying some of the scoring load.
8. Chicago Sky — Beatrice Mompremier (C, Miami)
At 6’4, Beatrice Mompremier is a strong post player who looks ready for the WNBA. She averaged 16.4 points and 10.1 rebounds this season and improved her free throw shooting percentage to 73.1%, up from just 57.1% the year before. However, she only played 16 games this year due to a foot injury so taking her at No. 8 could be a bit of a gamble.
Nonetheless, the Sky could use more size in the frontcourt and Mompremier might be the perfect fit, with her solid defensive skills and strong presence in the post. She can easily come in for Jantel Lavender or the recently-acquired Azurá Stevens, both of whom are coming off foot injuries.
9. Dallas Wings — Bella Alarie (F, Princeton)
The talk around Bella Alarie has increased in recent weeks, and for good reason. Alarie is a skilled frontcourt player who averaged 17.5 points, 8.6 rebounds and 2.3 assists this season for the Tigers. She shot 47.4% from the field and expanded her range a bit, shooting 35.6% from three on 2.6 attempts per game. At 6’4, she’s a big who can space the floor, clean up defensively and without the intense Ivy League defensive pressure, she should thrive in the WNBA for years to come.
With four first round picks, the Wings could either trade her or keep her as a future piece with the rest of their young stars.
10. Phoenix Mercury — Ruthy Hebard (F, Oregon)
For the Ducks this season, Ruthy Hebard averaged a whopping 17.5 points, 9.7 rebounds and 1.3 assists per game. She’s a very efficient scorer, shooting 68% from the field — good for second in the country — and was crucial down low for Oregon. She might not be able to shoot from three, but she’s a traditional big who can help the Mercury off the bench.
If Crystal Dangerfield is still available at the 11 spot, then Seattle should take her. A small but light footed point guard with a high scoring ability, Dangerfield is an efficient and capable player.
This season, the 5’5 guard averaged 14.8 points, 3.4 rebounds and 4.1 assists per game for the Huskies. She’s also one her way to becoming a pretty good three-point shooter, shooting 41.6% this season. Defensively, however, she could be a target with her small frame.
Dangerfield could be the perfect eventual replacement for Sue Bird. Seattle does not need a player that can start right now, and Dangerfield can learn from Bird and Jordin Canada while providing a spark off the bench.
12. Washington Mystics — Mikiah Herbert Harrigan (F, South Carolina)
Coach Mike Thibault has a history of drafting overseas players who fly under the radar — Emma Meesseman, anyone? The Mystics also don’t really need someone who is ready to start immediately — they already have a championship caliber team minus Kristi Toliver.
That being said, I think that the Mystics might take Mikiah Herbert Harrigan. The 6’2 forward averaged 12.9 points, 5.6 rebounds and 1.4 assists this season for the best team in the country while shooting 50.6% from the field. She’s becoming a stronger three-point shooter and the Mystics can develop her for the future.
Better Call Saul is a show with range. Some characters like Jimmy/Saul lie constantly, others like Mike tell the truth to a fault. With that in mind, our coverage this season will be structured as a collection of true and false statements about each episode. Welcome to Better Call Saul Truth And Lies.
TRUTH — Kim Wexler is very good at this
Good news and bad news on the Kim Wexler front this week.
The good news is that Kim Wexler rules. We knew that, admittedly, but it’s nice to be reminded. Watch the scene where she chews out Lalo again. Watch it twice. Watch it all day for all I care. It’s a blast. She tears that man apart, making very good points about his organization and his decision-making and what yahoos might do with an abandoned car they found in the desert. That whole situation was going very poorly for Jimmy before she stepped in, with Lalo being just as menacing as anyone can possibly be, making Jimmy tell the falsified story over and over and tapping on the fish tank like the sociopath he is.
It would have been impressive even if she believed it. She didn’t, of course, at least not that main thrust of it, because she saw the coffee cup and knew there was at least one bullet involved in Jimmy’s adventure. This was the first she heard about the bullets in the car. She could have been forgiven for taking a second to contemplate all of that, from the lie itself to the way it was revealed to how the hell she ended up in that room with those two lunatics in the first place. But she rolled with it, and into it, putting on a performance that even Saul Goodman would have to tip his hat to on his best day. Maybe it was even more than that. Even the best Saul Goodman ruses come with a whiff of the theatrical, a slick magic trick via misdirection. Kim summoned righteous fury, thunder from the gods, in an instant. This was literally life or death and she pulled it off. It was incredible. Look at your queen.
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This brings us to the bad news, sadly. As fun as this was to watch, as great as she was at it, it was… not good. Not long-term, at least. If she was only tangentially in the game before, cussing out Lalo like that has her all the way in. She’s very much on his radar. And that’s before we get to the Jimmy part of it, where he lied to her again after promising not to, and where his actions brought this to their door. To their home. That’s not great.
And even if we strip away all the context, bad omens all around. Maybe I’ve seen too many C+/B- action movies but quitting your lucrative job to follow your dream is rarely a good sign. It’s on the list with “I’m doing one last job” and “I’m two weeks away from retirement.” Not quite as bad as those two but worrying all the same. Kim Wexler is the only character worth rooting for on this show. She is also, in a development that is partially related to that last thing and partially related to Rhea Seehorn absolutely crushing the performance in a way that demands repeated recognition, the best character on the show right now.
I did not see that coming. I worry about her every day. Even though she can clearly handle herself pretty well.
LIE — Mike is a great therapist
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Poor Jimmy. It was one thing to be stuck in the desert with Mike because at least then you have Mike’s A+ survival skills in your corner. But now, this? This will not do at all. Jimmy is falling to pieces, suffering from some very understandable PTSD from the shootout in the desert and questioning what he’s even doing defending Lalo, a terrifying monster who very much killed an innocent man. He needs an actual therapist. One he can discuss his many, many issues with — including all the ones that led him to the desert, going back to childhood — over many, many years. Instead, he has… Mike.
Mike is many things. He is a guy who gets things done. He is an effective sniper. He is, as we learned earlier this season, a fan of my beloved Philadelphia Eagles. He is not, however, a sympathetic ear or great sounding board in times of personal struggle. You could see how much he hated having that talk. He wanted it to be over before it started. He would prefer to communicate with grunts and sighs, please and thank you.
That doesn’t mean there’s nothing in there. Mike has his own issues, largely related to the boy he broke. It’s not just that he’s the strong and silent type, generally, it’s also that he’s a shell of a dude who decided a while ago that he’s only staying alive to provide for his granddaughter. That’s it. No further motivation besides occasionally trying to do as right as possible while doing wrong. Going to Mike for emotional support is not entirely unlike going to a fire hydrant for emotional support. They’re both squat and made of iron and, until Mike’s sunburn fades, bright red all over.
On the bright side for Jimmy, at least he learned that saying “I had to drink my own pee” is a really great way to end a conversation and put a close to an uncomfortable line of questioning. Not many follow-ups coming after that. Something to file away.
TRUTH — If one wanted to, one could make a surprisingly reasonable argument that Lalo Salamanca is Spider-man
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A surprisingly reasonable argument that Lalo Salamanca is Spider-man, in four parts:
1. He has this weird sixth sense that allows him to sniff out both danger and bullshit, which we’ve seen before but especially saw this week when, with no provocation or great reason to be suspicious, he decided at the last possible minute to investigate Jimmy’s story and hunt down the bullet-riddled car he and Mike heaved into a ravine.
2. He leaped into that ravine like a damn parkour world champion, with not a second of hesitation, one season after we also saw him commit a murder by climbing into the ceiling of a travel agency and bursting through the tiles before landing on his feet like a cat.
3. We haven’t not seen him shoot webs out of his wrists.
4. I would like it.
I don’t see how we can rule any of this out just yet.
LIE — Things are going great for Nacho
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Mike tried, man. Mike really tried. He got back from the desert and went to Gus with the pitch to cut Nacho loose before he even got all the sand out of the places where sand tends to linger. He made a decent case, too, a strong one. The only real mistake he made was continuing to push after Gus shot him down. Mike’s a good man. He meant very well. But questioning Gus Fring’s methods, even if you’re doing it because you have a legitimate concern about using a man’s innocent father as leverage, will not get you very far.
And it didn’t! Gus went from a soft but considered “no” to forcefully comparing Nacho to a dog that needs discipline. That does not bode well for Nacho. He was never getting off that easy, I think we all know that now, but the extra push from Mike didn’t help the situation very much. Now he’s hopelessly under Fring’s thumb and in a car with Lalo bound for somewhere in Mexico to do something that will almost definitely cause problems for a substantial number of people north of the border.
At this point his best bet is to grow a mustache and flee to Europe. I think Nacho would like Europe.
TRUTH — Whoever picked out the “Land of Enchantment” t-shirt for Mike Ehrmantraut is now entitled to one ice cream sundae on me
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This is one of those things that Better Call Saul does so well, arguably better than any show on television. They could have put Mike in any crappy truck stop t-shirt they wanted. They’re all ugly and cheesy and usually have the town or state’s name on them. The options were limitless, or at least very close to it. But to pull “Land of Enchantment” and put it on Mike Ehrmantraut of all people… my god. I laughed out loud then and I just laughed out loud again a little while typing this.
My only complaint about any of it is that, I mean, I’m not the only one who wanted to see him in that truck stop buying the shirt, right? The mere fact that he selected it implies it was the best and most suitable option. Which means there were worse options. I want to see those options. I want to see Mike’s face looking at those options. I want to see Jimmy suggest Mike just get the same shirt he bought, then I want to see Mike do the “do I really want to be stuck at a truck stop with this guy in matching crappy t-shirts?” math and let out an all-time Ehrmantraut groan before selecting Land of Enchantment. Maybe a web extra.
You know what? I’m feeling generous. A second ice cream sundae to the person or persons responsible for this shot from the cold open…
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… both because it was also a nice callback to the similar split-screen “Something Stupid” cold open montage from last season and because it is really a heck of an image to behold. Two ice cream sundaes. You’ve all earned them.
LIE — Next week’s season finale should be a very relaxed affair
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Let’s take a brief glimpse at what’s on deck:
Kim knows Jimmy lied about his desert adventure and knows he was shot at because of the bullet-riddled coffee cup, but Jimmy doesn’t know for sure that she knows, and it’s going to be a whole thing
Suspicious Lalo is screaming toward Mexico with Nacho and bad intentions along for the ride
Gus is continuing to do subterfuge, which sometimes involves blowing up chicken restaurants
Jimmy is spiraling
Kim is in the game
Mike has a cool shirt
Hector has a party hat
I can’t wait.
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