UFC President Dana White and his wife, Anne, have both issued statements following a New Year’s Eve altercation inside a Cabo San Lucas nightclub in which Anne strikes Dana in the face, and Dana retaliates with a slap of his own.
White spoke with TMZ after the altercation, acknowledging what he’s said over the years that there’s no excuse for “a guy to put his hands on a woman,” and admitted he is embarrassed by the situation.
“This is one of those situations that’s horrible, I’m embarrassed — but it’s also one of those situations that right now we’re more concerned about our kids. We have three kids and obviously, since the video popped up, we’ve shown the kids the video and we’re more focused on our family right now,” White said.
“I’m literally making no excuses for this thing at all. It’s never happened before. It’s the first time it’s ever happened. People are going to say what they’re going to say and it is what is. Whatever people say is deserved. I deserve it.”
In a separate statement provided to TMZ, Anne echoed Dana’s sentiments.
“Dana and I have been married for almost 30 years. To say this is out of character for him is an understatement — nothing like this has ever happened before,” Anne said. “Unfortunately, we were both drinking too much on New Year’s Eve and things got out of control, on both sides. We’ve talked this through as a family and apologized to each other. I just hope people will respect our privacy for the sake of our kids.”
On Tuesday morning, former ESPN personality Dan Le Batard followed the release of the video by questioning how coverage of the incident will be handled considering ESPN’s relationship with the UFC.
“If it happened with (Roger) Goodell or an owner do you imagine it would be quiet? Because I don’t.” – Dan reacts to damning video of UFC president Dana White slapping his wife and asks why the coverage from ESPN hasn’t been louder.
— Dan Le Batard Show with Stugotz (@LeBatardShow) January 3, 2023
As of this writing, ESPN has written about the incident, but has not commented on how the incident will impact the relationship between the two organizations.
Fox Sports commentator Skip Bayless issued an on-air apology on Tuesday morning after getting roundly hammered for a seemingly insensitive tweet about Damar Hamlin, who collapsed on the field during Monday Night Football last night. The defensive back for the Buffalo Bills suffered cardiac arrest and is still listed in critical condition as of this writing. Immediately following his collapse and removal from the field by ambulance, there was speculation about whether or not the NFL would postpone the game, and that’s when Bayless stepped in it with a poorly worded tweet.
“No doubt the NFL is considering postponing the rest of this game – but how?” Bayless wrote before the decision was made. “This late in the season, a game of this magnitude is crucial to the regular-season outcome … which suddenly seems so irrelevant.”
No doubt the NFL is considering postponing the rest of this game – but how? This late in the season, a game of this magnitude is crucial to the regular-season outcome … which suddenly seems so irrelevant.
After being widely dragged, Bayless attempted to clarify his tweet later that night and put the emphasis on Hamlin’s health.
“Nothing is more important than that young man’s health,” Bayless said. “That was the point of my last tweet. I’m sorry if that was misunderstood but his health is all that matters. Again, everything else is irrelevant. I prayed for him & will continue to.”
Nothing is more important than that young man’s health. That was the point of my last tweet. I’m sorry if that was misunderstood but his health is all that matters. Again, everything else is irrelevant. I prayed for him & will continue to.
With the controversy over his tweet in the air, Bayless issued an apology on Tuesday morning where he noticeably hosted Undisputed without co-host Shannon Sharpe, who we presume called in “sick.” At the top of the show, an emotional Bayless addressed the bad optics of attempting to discuss sports during a “life or death” situation and emphasized that he feels “wrecked” over the whole thing.
Skip Bayless is without Shannon Sharpe for Undisputed today.
He attempted to apologize for the discussion surrounding Damar Hamlin last night and on today’s show. pic.twitter.com/MTg7w0gafx
Allow me to say upfront that I apologize for what we’re going to set out to do here today if it offends anyone because we’re going to try to do the show pretty much as we usually do the show. But I’ll admit upfront I’m still shook up by what happened last night to Damar Hamlin. In fact, I’m still wrecked. In fact, I’m not sure I’m capable of doing this show today. But after barely sleeping on it, I decided to give it a try. Maybe I’ll fail. Maybe we will fail, but we’re going to try. We wrestled through much of the night whether to even do a show today because it felt like, in our minds, we almost can’t win with this. Because the last thing we want to try to do is come off as insensitive to what this young man is going through in a life or death situation. The last thing we want to do is offend anyone by trying to do what we always do, which is talk about sports.
After the intro, Bayless then encouraged viewers to share their “emotions of the night” on Twitter, which he promised to read during this “difficult morning for all of us.”
Iconic hip-hop trio De La Soul’s entire discography will finally be available across streaming platforms this spring. But, with the catalog dating back to 1989, what took the group’s music so long to reach digital streaming platforms? After several failed attempts behind the scenes to agree with their former record label, Tommy Boy, emcees Posdnuos, Trugoy, and Maseo took to social media to air their grievances.
The legal battle began back in 2018. Then, the Long Island natives began planning to release their first six albums on streaming servers in 2019 to commemorate the 30th anniversary of their debut album, 3 Feet High and Rising. Still, they weren’t pleased with the terms Tommy Boy brought to the negotiating table.
On February 26, 2019, the group took to Instagram to reveal the details behind the meeting, writing, “the music will be released digitally,” by Tommy Boy. Still, the group would not be paid fairly, “your purchases will roughly go 90% Tommy Boy, 10% De La,” as the trio allegedly still owed the label 2 million dollars in unrecovered debt.
Quickly fans were outraged by the label’s plans to move forward without the group being onboard, sparking the hashtag #BoycottToyboyRecords. Fellow rapper Jay Z shared in this anger. As the owner of the streaming platform, Tidal, his company refused to upload the albums to its server until De La Soul was satisfied with the financial terms.
The label even attempted to enforce a confidential agreement to restrict the group from speaking on a deal if one had been reached with the public.
Fast-forward to August 8, 2019, the group shared an update on the matter, writing, “After 30 years of profiting from our music and hard work and after seven long months of stalled negotiations, we are sad to say that we’ve been unable to reach an agreement and earn Tommy Boy’s respect for our music/legacy.”
The label shot down the group’s attempt to gain control over their master recordings. The group wrote on Instagram, “Tommy Boy says they are ‘not in the business of giving artists back their masters,’” adding, “Be aware, all parties involved will profit, but De La Soul will not benefit or earn deservedly/fairly. We really tried.”
With the public’s support, the group continued to fight for their music back, even appearing in the animated show Teen Titans Go! in February 2021. The episode featured De La Soul fighting an octopus trying to steal their music (a metaphor for Tommy Boy Records).
Then in August 2021, Talib Kweli revealed the group had reached an agreement with Tommy Boy in an Instagram post captioned, “After years of being taken advantage of by the recording industry in the worst possible ways, De La Soul now owns all the rights to their masters and is in full control of the amazing music they have created.”
Now, Tommy Boy Records has been acquired by Reservoir Media. In a statement, Reservoir’s Executive Vice President of A&R and Catalog Development, Faith Newman, addressed the matter, saying, “As someone who has devoted my life to hip-hop for over 30 years, my relationship with the guys in De La Soul dates back to my early days in the industry, and I can attest to how influential their catalog is to the genre.”
Newman added, “When Reservoir acquired Tommy Boy, the first call we made was to De La Soul. We vowed to bring their music to streaming, and it means the world to our team to make good on that promise and expose a whole new generation of listeners to one of the most important catalogs in hip-hop history.”
De La Soul’s first albums will be available on streaming platforms on March 3.
Bianca Belair and Alexa Bliss fought for the Raw Women’s Championship title on this week’s episode of Monday Night Raw, and some fans noticed that some portions of the match looked oddly familiar.
That’s because Belair and Bliss decided to take their match and become legends on social media for doing a shot for shot recreation of the Scary Movie 3 fight scene between Regina Hall and the girl from The Ring. It was something fans had joked about online and Bliss and Belair decided to bring it to life and did so with startling precision, as you can see in these clips that put the match on top of the scene from the movie.
This is art of the highest form, and what’s great is the vast majority of the audience had no idea they were just going move for move out of a fight scene from a 2003 spoof comedy. Thankfully, plenty of folks on the internet caught what they were doing and made sure we could all enjoy how they painstakingly crafted this match to go along with the Scary Movie 3 scene. Belair retained her title after Bliss got DQ’d and hopefully when they meet again in the ring they will find a new 20-year-old movie to inspire their moves.
The Avatar sequel is up to $1.4 billion at the worldwide box office after being released in the U.S. on December 16th, including $444 million domestic and $956 million internationally. “That puts Disney’s film on track to surpass the $1.49 billion in sales for Paramount Global’s Top Gun: Maverick, the current highest-grossing film released in 2022,” according to Bloomberg. “The Tom Cruise fighter-jet movie made the most money at domestic theaters within the year, while The Way of Water tops it internationally.” (It’s worth noting that unlikeAvatar: The Way of Water, Top Gun: Maverick was not released in China, one of the biggest markets in the world.)
The weekend performance demonstrates the unusual staying power of the Avatar franchise. The Way of Water didn’t even have one of the top three domestic openings of 2022. Its 2009 predecessor Avatar also started out slowly, but ultimately sold a record $2.92 billion worth of tickets… The Way of Water is probably on course to at least break even financially, an accomplishment given its high production costs. That bodes well for a series of sequels Disney has planned for the franchise through 2028.
This can only end one way: Tom Cruise challenging a mighty Ikran to a race.
In 2021, Cole dropped his sixth studio album, The Off-Season. Months before, he revealed via social media that The Off-Season would be part of a series of projects leading up to the release of The Fall Off, which he first teased back in 2018 with the closing track of his KOD album, which was titled “1985 (Intro To ‘The Fall Off’).
Two more steps into J Cole’s master plan. We know The Fall Off is an album but what about it’s a boy?pic.twitter.com/vv4bGbV5Rg
January 28 is Cole’s birthday, and also the name of a song from his 2014 album, 2014 Forest Hills Drive.
As of now, the only hint of new music from Cole himself is the cleared-off Instagram page, however, fans have been theorizing since as early as last year about what It’s A Boy could potentially be about.
“J. Cole will drop his It’s A Boy project and showcase why fatherhood is dope,” said one Twitter user last month, sharing their music predictions for 2023.
J. Cole will drop his “It’s A Boy” project and showcase why fatherhood is dope. #Busbys2023Predictions
Queens, New York rapper-turned-mogul 50 Cent is probably better known for producing the juggernaut Power universe for Starz and trolling his fellow celebrities than his music nowadays, but it looks like he wants to reverse that trend this year. While congratulating friend and mentor Eminem on reaching five billion views on YouTube, 50 promised to share new music in 2023. Posting a headline about Eminem’s success on Instagram, 50 captioned the photo, “That’s my boy. Im gonna remind people i’m nice this year. New Music New Tv New movie let’s go!”
Even a couple of decades removed from the peak of his rap chart dominance, 50 has apparently maintained plenty of popularity, despite putting “nothing out in a while,” according to another post he shared. This one, apparently a screenshot from Twitter (so take it with a grain of salt), put 50 on a list of rappers with the most YouTube views for 2022, among names like Eminem, Doja Cat, Drake, Lil Baby, Lil Nas X, and Juice WRLD. The top comment, from Snoop Dogg, reads, “Nice. Staying relevant.”
Truthfully, it’d probably be nicer if he maintained that relevance through new music releases rather than bullying women in the music business. He trolled Lil Kim, Madonna, and Megan Thee Stallion last year about everything from plastic surgery to getting shot in the foot. Let’s hope his new year resolutions included being a nicer person in addition to getting back to rap — but don’t be surprised if he reneges on either after turning down a $1 million record deal from Universal (and failing to follow through on repeated threats to take the Power shows elsewhere).
Former president/current wannabe president Donald Trump welcomed in 2023 by describing America as a “third world country,” which seems like a strange way to win over the voters who didn’t elect you last time around — but hey, what do we know? By all accounts (or at least his own), Trump is a master strategist — a fact backed up by some newly released testimony surrounding the events of January 6th, and reported by Politico.
On January 7, 2021 — one day after telling the insurrectionists who attacked the Capitol that he loved them and they were “special” — the just-barely-still-then president released what felt like a hostage video. In it, he came just about as close as he ever has to conceding the 2020 election, and through gritted teeth claimed that he was focused on “ensuring a smooth, orderly, and seamless transition of power” to the Biden administration.
More than a year later, in July 2022, the January 6th committee gave us a behind-the-scenes featurette of the making of that video, in which a clearly annoyed Trump refuses to say “the election is over” and admits that “‘Yesterday’ is a hard word” for him to say. (Three syllables can be difficult.)
But as Politico’s senior legal affairs reporter Kyle Cheney noted on Twitter, a trove of newly released evidence reveals even more embarrassing details (for Trump) of what went on during the filming of that video. And the fact that it managed to be recorded and released at all is a bit of a miracle.
Shealah Craighead, the Chief Official White House Photographer during Trump’s reign (and who the former president allegedly tried to scam), was onsite for the filming of that video and told the January 6th committee that Donald seemed to be employing some pretty pathetic stall tactics in order to not stand in front of that camera. According to her testimony:
[Trump’s] agitation of stopping and starting the conversation was based on asking for Diet Cokes several times, or stopping to take a sip and then starting again, immediately stopping and taking another sip and then starting again, reading some of the scroll, and then asking for a new Coca-Cola, or needing a towel to wipe his head or something.
It was just there is anything — you know, as you procrastinate, you’re finding anything to do to not to do what you have to do. That’s what it seemed like in my observation. Anything that he could procrastinate with before getting the words out he would do.
Today is January 3, meaning the holidays are very much over. Don’t tell that to the latest Billboard Hot 100 chart, though. The latest rank is dated January 7, but it reflects the data tracking week from December 23 to 29. Those first three days are prime Christmas music season, so you know what that means: On the new Hot 100, Mariah Carey’s “All I Want For Christmas Is You” is once again No. 1, for the 12th total week and the fourth week this holiday season. (This is actually the first time “Christmas” has had four consecutive weeks at No. 1.)
The Billboard #Hot100 top 10 (chart dated Jan. 7, 2023)
This means Carey has the first No. 1 song of 2013. Furthermore, “Christmas” is now the first song to be on top of the Hot 100 in five separate years (2019, 2020, 2021, 2022, and 2023). For reference, no other song has been No. 1 in more than two years.
More broadly, Carey extends her record for most distinct years having a song rank on top of the Hot 100, with 19: 1990 to 2000, 2005 to 2006, 2008, and 2019 to 2023. She also ties Boyz II Men as the only other artist to have three songs top the Hot 100 for at least 12 weeks: Her and Boyz II Men’s “One Sweet Day” (16 weeks), “We Belong Together” (14 weeks), and now, “Christmas” (12 weeks so far).
R&B fans received plenty of gifts from their favorite artists long before the Christmas season in 2022. Ari Lennox returned with her first album in three years with Age/Sex/Location while SZA made her way back into our hearts with SOS, her first body of work since 2017. Newcomers like Amber Mark, Lokre, Giveon, and more made their mark in the game with their debut albums while seasoned vets like PJ Morton, Robert Glasper, Kehlani, and Alex Isley continued to do what they do best.
Despite all we got in 2022, there was also a lot that we didn’t get over the course of the year. Some artists were hard at work crafting their next musical presentations to the world, others pushed their initial 2022 releases back a year, and as for the rest, well, we’re just hoping they release something soon.
So aside from writing resolutions for 2023, let’s also take a moment to share our anticipations for the new year – that is the most anticipated R&B albums of 2023. Here are 16 artists we hope to receive albums from next year with 14 coming from the R&B world and the remaining two living in afrobeats.
Of all the albums on this list, Kelela’s Raven is the only one that we actually have a set release date for. The D.C. singer will share her long-awaited sophomore album on February 10 which comes five and a half years after the release of her celebrated Take Me Apart debut. Kelela has described Raven as a “15 track deep-dive into facets of dance music that have always excited me” and her “first breath taken in the dark, an affirmation of black femme perspective in the midst of systemic erasure and the sound of our vulnerability turned to power.”
Baby Rose
Baby Rose’s last project arrived in 2021 with To: You (A Holiday Joint), but the D.C. soul singer hopefully has something in store for us next year. Her captivating voice was most recently used in October for her double-sided single “Go B/W Fight Club” which arrived two years after her stellar debut album To Myself. There’s no telling what kind of music will get on Baby Rose’s sophomore album, but at the very least, we hope it arrives sometime in 2023.
It’s been two years since Bryson Tiller made his grand return to the music world following a three-year absence that featured little to no music. That return was Anniversary, and with that project’s release, came the announcement that a previously-mentioned effort, Serenity, would see the light of day soon. At the top of 2021, Tiller said that Serenity would be a triple disc release with a pop, rap, and R&B side. Tiller certainly has the versatility to pull this off, as his recent releases “Outside” and “Gotta Move On” suggest. It’s just a matter of time until we as listeners can be the judge of that.
Chlöe has been hard at work on her debut solo album Chlöe ever since Chloe x Halle impressed the world with their sophomore effort, Ungodly Hour. Chlöe’s own body of work will be a bit different from what we heard on Ungodly Hour as her “Have Mercy,” “Treat Me,” “Surprise,” and “For The Night” singles depict both contextually and sonically. While it still remains to be seen who will guest beside Chlöe on her album, we do have an idea of what Chlöe will sound like. “In the beginning, you can tell that [the person] who is singing is like a bird with broken wings,” she said in an interview with Allure. “As time went on, you can hear me finding my strength and confidence.”
In 2022, afrobeats had one of the strongest years in its modern era. Artists like Wizkid, Rema, Burna Boy, and Asake contributed to the genre’s greatness over the course of the year. A notable name that was missing from the mix was Davido who will soon enter his third year without a new album following 2020’s A Better Time. With ear-pleasing tunes like “Champion Sound” and “Stand Strong” out as possible previews of what’s the come, there’s no doubt that Davido will take the helm to show off afrobeats’ continued and undeniable growth. Plus, with a promise to return in March, we may not have to wait too long to see it all unfold.
Boy bands and girl groups are more or less a thing of the past nowadays, but the British singing trio FLO is using the open space to stand out. The female group comprised of singers Stella, Jorja, and Renée released their debut EP The Lead in 2022, and now have plans to share their debut album in the near future. Speaking of that future, it seems to be very bright for FLO as they’ve already made their television debuts in both the US and UK in addition to being the first British group to win the Brit Award for Rising Star, an honor previously received by Adele, Sam Smith, Jorja Smith, Florence and the Machine, and Ellie Goulding. The sky is the limit for FLO.
Frank Ocean
Getty Image/Ralph Ordaz
In all honesty, there hasn’t been a true sign that Frank Ocean will drop music in 2023. However, there are enough clues for us fans who’ve been waiting since 2016 to have just enough hope that he will. Frank is set to headline Coachella in 2023. He shared a nine-minute track on Christmas Day in 2021, effectively proving that he’s indeed in the studio — even if it’s sporadically. He even cleared out his Instagram posts which artists have often used as a rollout before the rollout in a sense. Nonetheless, these examples mean nothing just as much as they could mean something. So with that, we’ll just have hope that Frank returns with a body of work that is as artistically captivating as Channel Orange and Blonde, so much so that it joins the debate of which out the three is truly his best output.
Janelle Monáe
Best way to describe how I’m feeling on this birthday. It’s float season for me baby. Floating in gratitude. feeling much lighter. Fucked around and got more FREE. I’m not the same nigga. I just … Float Love you. pic.twitter.com/QsSZSqXxuZ
We most recently saw Janelle Monáe on the big screen through her role as Andi in Glass Onion: A Knives Out Mystery. However, it’s been a while since we received music from her. Monáe’s last album, Dirty Computer, dropped in 2018, and since then, she’s only dropped singles for inclusions in various movies. That changed with a preview of a new song to celebrate her 37th birthday to start December. Furthermore, Atlantic Records’ CEO Craig Kallman confirmed in an interview with Variety that Monáe has new music set to come out in 2023. Turns out, Glass Onion is just the start of what could be an impressive run for Monáe.
Jhené Aiko
Dante Nicholas
Jhené Aiko’s last album Chilombo was her most celebrated and critically acclaimed album. It gave her three Grammy nominations, topped R&B album charts, and landed on multiple year-end lists. A lot has happened to Jhené since then. She gave birth to her second child and first with Big Sean. She launched her own record label Allel Sound through Def Jam. Nonetheless, there’s a decent chance that Jhené gives fans some music in 2023. It could be her fourth album or her long-awaited second album as one-half of Twenty88 with Big Sean. We’ll just have to see which one, if either, gets released next year.
Kiana Lede
When this album actually drops you guys better be givin this same energy I’m gettin now while you all are askin for it
Kiana Lede has one of the best voices in R&B today, it’s just unfortunate that we haven’t heard from her in some time. Don’t fret though, that reminder will surely be delivered in 2023 when she arrives with her second album and follow-up to 2020’s KIKI. Her eagerness to release this project has been made clear on social media multiple times over the past few months. She even dropped an EP, Unfinished Business, on SoundCloud to hold fans over and give them a taste of what’s to come next year – and based on that EP, what’s next is definitely worth the wait.
Masego
Before I fully get into the season of promoting my own music, this is what I’ve been on lately. pic.twitter.com/3Z00LYXYkX
There’s no telling what Masego has in store next for his fans. It could be a traditional R&B and jazz release like his 2018 debut Lady Lady and it could be more flavorful like his 2020 Studying Abroad EP. Regardless, there’s no doubt that the multi-talented artist will deliver an equally impressive and intricate body of work for his second album. There’s already a collection of performances in place thanks to his You Never Visit Me Tour set to kick off in March, which is a pretty good sign that his new album could arrive bring the official start of spring.
Mariah The Scientist’s sharp pen is about this put on full display when she releases her third album at some point in 2023. Recent examples of her songwriting were noticeable through the viral “Spread Thin” which was housed on Buckles Laboratories Presents: The Intermission and “Aura” from Ry Ry World. It’s these tender lovelorn songs that have made Mariah The Scientist so enjoyable, and together with fun records like “Stone Cold” and slightly darker submissions like “Bout Mine,” there’s enough to look forward to for album No. 3.
PARTYNEXTDOOR
Just like he did after 2017’s Seven Days, PARTYNEXTDOOR’s activity in the music world after his fourth album PARTYMOBILE has been sparse. A single here, a feature there, SoundCloud songs put on streaming services here, and a post giving fans some hope of something new on the way there. Time says that PARTYNEXTDOOR’s next album is likely to arrive in 2023, more so than it was in 2022. However, with just two projects to his name in the last five years, it’s clear that PARTYNEXTDOOR moves on his own time and when he’s ready, he’ll pop back up with something. Let’s just hope it’s in 2023.
Tems
Btw I never stopped producing. I just wasn’t ready to share it. I told @GuiltyBeatz give me all the beats that I will NEVER do in this life. And the result was IF ORANGE WAS A PLACE.
My Debut Album is packed with my production. And I’m 100x better than I was 3 years ago.
For someone who didn’t release a project this year, Tems had a big year in 2022. It came in large part through profiles that gave us a closer look into her life, moments with huge stars like Rihanna and Beyonce, and contributions to the Black Panther: Wakanda Forever film. On this music side of things, it hasn’t been long since Tems dropped a project with her most recent being 2021’s If Orange Was A Place which followed her 2020 breakout For Broken Ears. The year “off” for Tems was well-deserved, but it comes with a promise for more and lots of exciting things in 2023.
Victoria Monet – Jaguar II
I’m SO READY TO PUT THIS MUSIC OUTTTTT learning patience myself for real but sheesh
I won’t know what to do myself if I have to endure another year without a Victoria Monet project. Her excellent Jaguar EP probably shudders when I storm to it for the umpteenth relisten. Realistically though, Monet hasn’t completely disappeared from the music world and her songwriting contributions to Ariana Grande’s Positions, for example, are an example of that. Nonetheless, we hope that Monet sees that it’s time that she returns with her previously announced Jaguar II EP. Until then, it’s back to Jaguar with occasional stops at “Coastin’” and “F.*.C.K.”
6lack
today marks 6 years since #FREE6LACK — and the last anniversary before we get into Season 3
My thought throughout the year was that 6lack would deliver his third album at some point during 2022. However, with just days until the year comes to an end, it’s clear that it’ll arrive in 2023. It’s only been two years since 6lack’s last project 6pc Hot was released, and ever since then, the Atlanta native has made sure not to go too long without treating supporters. 6lack stepped into the world of others through songs with Lil Durk, Lil Tjay, Eli Derby, Jacquees, Jessie Reyez, and others that made their way into our ears over the past couple of years. In 2023, we look forward to seeing 6lack create a world for himself and invite others into it for his third album.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
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https://t.co/2PUJOuFHx8 pic.twitter.com/wDp4CBGvii
(@tasiasnn) 
y’all think he’s gonna drop It’s A Boy on January 28th this year?
(@MrBusby4o8) 
NEW ALBUM RAVEN OUT EVERYWHERE FEB 10! 
feeling much lighter. Fucked around and got more FREE. I’m not the same nigga. 
(@JanelleMonae) 
learning patience myself for real but sheesh